They
say a critic shouldn't get personal and should maintain a sort of distance from
a particular movie in order to remain objective and not to get too passionate
about certain things. What I think is wrong with this particular expectation is
that it forgets that the reviewer is also a regular moviegoer when it comes to
a particular film and their opinion receives more attention because they have
better terms to describe what others feel about a picture.
So,
should I aspire to become a "good critic" and give up being
passionate about a certain film just for the sake of more appreciation? It’s
true, I’m closely affected by the subject of Silver Linings Playbook and that can
cause two things, depending on how I react to it: a) I completely reject it
because I feel that the way the movie portrays its subject is way out of reach,
over-the-top and theatrical, b) I develop a sweet spot for it instantly because
I get more of the „inside jokes” of it. In this particular case, it’s more of
the latter: there came a certain point in the movie after which I couldn’t
maintain that distance from the movie and was immediately taken by its
beautiful way of telling the story of Pat, a bipolar man who tries to find a
new beginning in his life after a horrible incident by getting back to her
wife.
What
I instantly impressed me about Silver Linings Playbook is the delicate way
David O. Russell approached this subject: you can feel that the story is
personal for him and he didn’t turn to cheap theatrics even in the most
over-the-top scenes in the film. The directing, writing and the editing add up
to a dazzling, unbalanced and bizarre experience, surprising you way too much.
The whole roller coaster feeling of the film makes it one extended, haunting
manic episode.
However,
Russell holds this chaos together thanks to the outstanding work of an exceptional
cast, led by an amazing Bradley Cooper who reached an unexpected (to many)
career high with the character of Pat. He has two key scenes in the movie,
which could have become standard meltdowns made for an Oscar clip, but instead
they are both extremely terrifying and heartbreaking (I’m talking about the one
at home and the one in front of the cinema). The way he shows the over-the-top
hysterics of the character, while also crying for help silently in his eyes is
astonishing. If people weren’t so snobbish about romantic comedies as they are
today, this character would become just as iconic as Alvy Singer, but alas, people
look down on films like this. Moreover, the frequent criticism of gender inequality
is constantly proven wrong by Cooper who clearly puts an emphasis on how much Pat
also depends on Tiffany.
Since
I’m going to review Jennifer Lawrence very soon, I’m saving my lengthy comments
on her performance, but let me just say that she’s an essential part of an
amazing ensemble whose every member is able to create three-dimensional characters,
even with their limited parts. De Niro gets the most showy part and uses all
the opportunities to have fun and also prove that he didn’t lose his acting
chops somewhere around Meet the Fockers.
And I’ll have to defend Jacki Weaver’s nomination: her character’s caring and
loving presence undeniably uplifts the movie and provides us with some of the
loveliest moments. I don’t think she’s worse than her fellow nominees (in my
opinion, she captures a mother’s love way better than our actual winner-to-be).
Even Chris Tucker is able to display his skills in small part, which he rarely
gets to do. The members of the cast should really win that SAG Ensemble Prize
come Sunday for their contribution to creating the bittersweet and yet magical
atmosphere of Silver Linings Playbook.
However,
to embrace and enjoy all of the aspects of the movie you really need to leave
behind your cynicism and try to believe that a movie with a “silver lining” can
actually be just as worthy of being considered a masterpiece as one about
decaying human beings. After all, cinema has to capture reality and reality
always offers us a silver lining. And why couldn’t Silver Linings Playbook
become that particular silver lining?
What
do you think?
I was shocked at how much I liked the film! Jacki Weaver's nomination is great too. She's really effective in a small part.
ReplyDeleteA very lovely review! I've seen this three times now and have warmed to it a little more each time, though I still wouldn't have wanted David O. Russell nominated for Director.
ReplyDeleteI'm okay with all 4 acting nominations as well, but Cooper is so clearly the MVP of the film. Just great work.
Hello Sage!!!!!! So nice to see you back! :)
ReplyDeleteDerek, I thought his nomination was absolutely deserved but whatever. :) I'm not sure about the MVP of the cast yet. But Cooper is just so crazy great. :)
I nice to see u posting,this subject is cloe to my life too,so i identified with it esp cooper who was aces as was lawrence she had some gr8 scenes,de niro i found outstanding and i understood why weaver was nommed,i agree with the mother love comment re hathaway whom i found amateurish,great review.recommended to all i met wjen i saw it.
ReplyDeleteI think it's hard not to get involved if the story mirrors in someway your life,i did not find the review biased at all.
ReplyDeleteI really liked the film. I agree with most of your review except De Niro having the showiest role, I'd say Lawrence does, and your remarks about Weaver and Hathaway.
ReplyDeleteLoved this review!
ReplyDeleteLoved this film!
I'll be reviewing Weaver soon - I thought she was good but forgettable in the scheme of things.
Worth the nomination though, since there really was a wide open 5th spot; let's all just take a moment and thank God that it wasn't Nicole Kidman for "The Paperboy"!
Nues20: Thanks! Well, Nicole seems to have passionate fans who really think the opposite. :)))))
ReplyDeleteI didn't i thought she was very miscast but sappreciate her daring she's too well brought up to be slutty trash,i was ok with her just not blown away as i can be with kidman.
ReplyDeleteThanks for sharing, nice post! Post really provice useful information!
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