The Final Conclusion - Best Actress 1958

1958

So the much anticipated ranking is:

5. Rosalind Russell in Auntie Mamie

Somehow I feel that Roz Russell's performance as Auntie Mame is quite lacking and not a really great one. There's something really off-putting about it and I feel she could have tried harder to elevate the material. It might be that she didn't impress me because I don't go for this type of performance. I don't know why I didn't like her but the point is that I wasn't impressed at all.

4. Deborah Kerr in Separate Tables

I liked Deborah Kerr in Separate Tables, despite the fact that she didn't give the best performance of the ensemble an she was too much outshone by some of the fellow members of the cast. If we look at her performance out of its context, it's a pretty great one. It just pales in the context of the movie and the rest of the performers. Still, good job that works well.

3. Shirley MacLaine in Some Came Running

Although it's true that Shirley MacLaine gave a great performance as Ginnie Moorehead but she was trapped in a movie that's constantly working against her, plus she didn't have enough time to develop the character as well as she could have/should have. Still, I applaud Shirley for making Ginnie loveable and being the best part of her movie.

2. Susan Hayward in I Want to Live!

It's no wonder that Hayward won the Oscar for this performance. Although I have some problems with her work here, I can say that she's indeed fantastic at showing all of Barbara's emotions. It's a very realistic portrayal of a desperate woman who wants to live. Hayward made this character much more complicated and layered than most actresses would have.

1. Elizabeth Taylor in Cat on a Hot Tin Roof

This is a wonderful performance that (at least to me) lives up to its reputation. Elizabeth Taylor is really fantastic as Maggie, the Cat, creating a fascinating, complex, multi-layered character. The fierce emotionality Liz added to Maggie is just brilliant. You can so easily identify with this character thanks to Taylor's greatness in this part. Extraordinary work.

So I can proudly announce

that my 30th winner is...

Elizabeth Taylor

in

Cat on a Hot Tin Roof

The first double winner. :)

Final thoughts: A so-so year. I didn't give any 5s but I guess a year can be great if I don't give any 5s. It wasn't the problem here. This ranking surprised me though I was almost sure that Liz would win. There was only one really fantastic performance (Liz), Susan was "just" fantastic. I had my problems with the others. Roz was quite much for me, Shirley was very good but she was robbed of enough screentime, so it couldn't have worked anyway. Deborah is not my favorite actress but I really liked her in Separate Tables.

About the next year: I don't have any idea yet, I still want to save 1967. Originally, I wanted to do that but I want to save the great years. I'll think about the next year but I'd be glad to have requests. :) It's your turn. I don't want to make a poll because that usually turns out bad and I'm rather superstitious.

What do you think?

Deborah Kerr in Separate Tables

Deborah Kerr received her fifth Oscar nomination for playing Sybil Railton-Bell, a shy spinster in the Best Picture nominee, Separate Tables. This was the fifth unsuccessful nomination for Deborah but I don't think she even had a prayer of winning that year. Susan Hayward (as I said) was almost a sure thing plus Liz Taylor and Rosalind Russell were both stronger contenders and bigger names than Deborah Kerr. I'd say that Deborah might have got ahead of Shirley MacLaine who was just becoming a major star. What if is a very interesting question of 1958. What if Susan Hayward hadn't been in contention? I'd say Elizabeth Taylor would have won because her performance was a surprisingly deep one and she was the hottest star plus she had the sentiment on her side because of the death of her husband. I guess Deborah would have lost anyway.

Separate Tables is not really talked about nowdays, unfairly, I might add as it is a pretty good movie. I wouldn't say it's my pick for Best Picture but I enjoyed it. It's a real ensemble picture, full of great, world-famous actors who give very good performances. Rita Hayworth stands out the most, I think and I feel that she might have deserved a nomination though I'm not 100% sure. David Niven gives a very good performance but I feel that Sidney Poitier or Paul Newman deserved to win more (I usually switch my vote for 1958 and 1963 between them). Wendy Hiller dismissed her own Oscar win. Although I agree with that she wasn't amazing, I still think she was the best of the weak nominees that year and she was pretty great this way, too.

Deborah Kerr (as you might know) is not one of my favorite actresses. Some go for her dignified, subtle acting style but I'm not one of those. I prefer highly emotional performances with lots of fire and music. That's me. Of course, that doesn't mean that I cannot respect certain works of Ms. Kerr, I just don't think that she's the greatest. It's fun, though, that she was born on 30th September like me (and Marion Cotillard). I know that I said it last time but I'll say it again and again.

Separate Tables is really an ensemble piece so it takes a very special performance to stand out. And as such, we cannot really talk about leading characters, in my opinion. Everyone is either leading or supporting. However, back then category placement was a matter of vanity and not competition. I guess, nowadays an actress with Deborah's role would go immediately supporting and would have an excellent chance of winning. And that's really something that I admire about the actresses of Old Hollywood. They weren't desperate enough to humiliate themselves by going supporting just to ensure the win. That is certainly very positive pride.

It takes a special performance to stand out in an ensemble movie, as I said but Deborah Kerr's work as Sybil is, unfortunately, not special at all. It's not even the best or most significant part of Separate Tables. Actually, I'm quite shocked that she was recognised over Rita Hayworth. Not because Rita was miles better (she was actually) but Deborah's role is not showy and (apart from one scene), it's very quiet and she's mostly in the background sitting without a move.

Sybil is a shy spinster who's probably in love with the major played by David Niven. Sybil has to put up with her awful, bossy and very snobbish mother (Gladys Cooper, reprising her role from Now, Voyager) and she wants to gain some freedom. However, she's too afraid to take action and things get very ugly for her. She has to be disappointed in the major and she's more and more under her mother's influence. Deborah shows Sybil as a mentally unstable, very sensitive woman who's screaming inside and wants to have a better life. It's shown very well by Deborah and I most certainly want to praise her for making Sybil such a sympathetic character. I really did want her to be happy and I think Deborah portrayed the necessary emotions really well. I was most certainly impressed by that. Also, she quite carefully developed this character and none of the changes seemed forced or unrealistic.

There's one serious problem about Deborah. She doesn't get enough spotlight and since her role is not the best of the movie, she gets stuck too much in the background. When I saw her and Rita Hayworth, it was so hard to focus on Deborah as Rita was so great and Deborah seemed a little bit dreary compared to her. However, the breakdown of Sybil was played excellently by Deborah and I was really touched by those scenes.

So I can say that I liked Deborah Kerr in Separate Tables, despite the fact that she didn't give the best performance of the ensemble an she was too much outshone by some of the fellow members of the cast. If we look at her performance out of its context, it's a pretty great one. It just pales in the context of the movie and the rest of the performers. Still, good job that works well.

I gave a 4 to Shirley, too, so I'll give it to Deborah.

What do you think?

The Next Year

1958

So the nominees were:

• Susan Hayward in I Want to Live!
• Deborah Kerr in Separate Tables
• Shirley MacLaine in Some Came Running
• Rosalind Russell in Auntie Mame
• Elizabeth Taylor in Cat on a Hot Tin Roof

Wow, an interesting looking year but I don't have any idea how my ranking will look like. At the time, a whole country wanted Susan Hayward to finally win and her triumph was one of the most applauded ones (if not the one) in history. Many people are still talking about that year with sweet memories, so we'll see if I go with America's pick of the time or somebody else.

What do you think? Who's your pick? What are your predictions?

The Final Conclusion - Best Actress 1957

1957

So the much anticipated ranking:

5. Lana Turner in Peyton Place

Lana's performance mostly consits of sleepwalking and sitting in the background. I believe that had Turner been given some more to do, she would have been able to pull of a great performance as Constance. The screenplay always underlines how frigid this character is and it doesn't really let Turner do wonders with it. The overall effect is disappointing.

4. Deborah Kerr in Heaven Knows, Mr. Allison

there isn't a thing about Deborah Kerr's performance that you could be passionate about. You can't love her, can't hate her and the whole thing becomes very standard and uninteresting. I know that many love this work but I just wasn't able to warm up to it. Deborah Kerr is quite good as Sister Angela but she doesn't go beyond good.

3. Joanne Woodward in The Three Faces of Eve

Despite my dislike for the acting of Joanne Woodward, this is quite a good job by her. Although it's not groundbreaking by any means and the emotional part of it is a bit lacking, the technical department is just excellent. Woodward made very wise decisions with these characters (despite being relatively new to the craft) and she put on a very good performance.

2. Elizabeth Taylor in Raintree County

This performance is a bit mixed. On the one hand, Liz's accent and mannerisms are incredibly annoying and she fails with the technical part. On the other hand, there are also some great moments that I just cannot ignore. As I said, Taylor is not really amazing, but there's something in her that stays with me. It's still quite good work and something keeps resonating with me.

1. Anna Magnani in Wild is the Wind

You may consider me overenthusiastic and too lenient with performances but I was just blown away by Anna, from the beginning to the very end. Anna Magnani creates this beautiful, wonderful character and single-handedly makes the movie. It might be a bit much for many. For me, it worked and I consider this an astonishing performance.

So I can proudly announce

that my winner is...

Anna Magnani

in

Wild is the Wind

Why do I have to compete?

Omissions:

• Giulietta Masina in The Nights of Cabiria

Final thoughts: A really weak year. Yes, I was a bit overenthusiastic but Anna was a shining light in this extremely weak year. So she was the clear winner. Joanne was quite good though a bit dry. Elizabeth Taylor, whom we tragically lost on the day I reviewed her performance, gave a mixed but haunting performance in Raintree County. Deborah was simply good, Lana was not bad. Again, a truly weak year. Still, I'm happy that I did it as I was so interested in Anna's performance, which was really astonishing though the movie dragged her down a bit.

About the next year: You cannot imagine the misery, torture and suffering that I went through to do the next year and get all the films. It's a really interesting one though I've only seen 2 performances but they are both given by two of my all-time favorite actresses (and the others are great performers, too, all three of them previous winners). Clue:

• I can't give you a real clue as I keep forgetting and losing everything ever since that new insurance I have. ;)

What do you think?

Deborah Kerr in Heaven Knows, Mr. Allison

Deborah Kerr received her fourth unsuccesful Best Actress nomination for playing Sister Angela in John Huston's movie, Heaven Knows, Mr. Allison. I'm quite certain that Deborah Kerr was the second in 1957 and Joanne Woodward only barely edged her out. But why really? I think that the Academy also noticed that Deborah was overdue for an Oscar though there was always someone who was more overdue (Susan Hayward, Elizabeth Taylor), more popular (Elizabeth Taylor, Ingrid Bergman, Audrey Hepburn) or gave a big performance (Olivia de Havilland, Joanne Woodward) or all of them combined (Hayward again). Poor Deborah, she was nominated always at the wrong time.

Heaven Knows, Mr. Allison is a pretty lukewarm movie. There's not much going on, the whole thing is pretty boring and I am 100% sure that I will forget it in at least three days. It's very much like African Queen though it's much less funny and entertaining. I guess John Huston's producers wanted to make more money and they knew the perfect recipee for a succesful movie at the time. Robert Mitchum was a really great actor, a truly unique presence who gave excellent performance but this one is definitely not his best work.

Deborah Kerr is an actress very much like Annette Bening. There's so much to respect about her and yet I just don't feel that she's that special. Apart from out joint birthday, there is no connection between me and Deborah Kerr. However, I have never been disappointed by her as I always get from her what I expect. A very proper, ubtle performance. I expected it this time too and I got it.

Not that it is groundbreaking in any way. Although Deborah must have had a great chance of winning the Oscar that year, this is not the role that people remember her for. This one is actually quite forgotten and rarely talked about nowadays besides Oscar bloggers. Had I been an Academy member in 1957, I would have considered nominating Deborah for An Affair to Remember. It's not that it's better, it's just much more of an Oscar movie than Heaven Knows, Mr. Allison.

In Heaven Knows, Mr. Allison, Deborah plays Sister Angela, a nun who's marooned on a South Pacific island along with an American marine played by Robert Mitchum. I think the most curcial thing about movie is the great chemistry between the leads. Whenever there are just two characters that you see, they really have to work together fabulously as collaboration is just inevitable in these cases. Unfortunately, that doesn't happen here. I always felt that there wasn't much of a sexual tension between these two characters and it should have been there. They give good performances on their own, but their work together is nothing special. Therefore, both actors failed on this very important level.

However, as I said, Kerr is very good on her own. She has quite a radiant presence on the screen but unlike Elizabeth Taylor (RIP) in Raintree County, this presence doesn't make up for the flawed rest. Kerr didn't have a star charisma and no matter what people say, that can also elevate a certain, not-so-strong performance.

Everybody keeps talking about Sister Angela's dark side but that's really something that I hardly noticed in Kerr's performance. She always remains this benevolent nun who's very quiet and dignified. Just like the movie, Kerr also remains very lukewarm and she doesn't really shine. That's a pity, actually. I would have loved this performance much more, had she given more fire and soul to this character. As I said, the whole thing is very charming but nothing mindblowing, really. There isn't a moment when I was just blown away (even Lana Turner had some) and Kerr constantly plays Sister Angela very one-note. Kerr's very proper and I dare say dull acting is very visible in this work and that's not a positive thing.

As you see, in this review, I said nothing about Deborah Kerr's performance because there isn't a thing that you could be passionate about. You can't love her, can't hate her and the whole thing becomes very standard and uninteresting. I know that many love this work but I just wasn't able to warm up to it. Deborah Kerr is quite good as Sister Angela but she doesn't go beyond good. Unfortunately.

What do you think? (no oficial predictions now but you can share your thoughts)

The Next Year

1957

So the nominees were:

• Deborah Kerr in Heaven Knows, Mr. Allison
• Anna Magnani in Wild is the Wind
• Elizabeth Taylor in Raintree County
• Lana Turner in Peyton Place
• Joanne Woodward in The Three Faces of Eve

It is said to be a weak year but I've only seen Joanne previously, so it's going to be an interesting one to explore. I can't wait to see all the movies.

What do you think? What are your predictions for my ranking? Who's your pick? What's your ranking?