Patricia Neal in Hud

Patricia Neal received her first nomination and only Oscar before and after a series of unfortunate events in her life for playing Alma, the independent and down-to-earth housekeeper in Martin Ritt's classic movie, Hud. That year she was clearly the critics' favorite, but I'm not that sure if she was the front-runner for the Oscar win. Nevertheless, she got the award despite the fact that many people consider this a supporting performance (she was nominated for BSA at the Golden Globe) . In addition, her role is not the most baity ever, so it's really surprising that they went with her.

Hud is great movie (well if Larry McMurthy is associated with a movie, it cannot be bad) about a farmer family whose members have to get rid of the cattle suffering from the foot and mouth disease. Also they have to deal with the age of Homer (Melvyn Douglas), who's getting weaker and weaker. Hud includes four brilliant performances by Paul Newman, Brandon de Wilde, Melvyn Douglas (one of the most deserved Best Supporting Actor wins ever) and of course, Patricia Neal. I'm very upset that it was not nominated for Best Picture as it seems an obvious choice to me. However, the direction of Martin Ritt is great (as always) and deserving of the nomination.

For the first time, I was mainly amazed by the acting of Paul Newman and almost ignored the others. This time I found him to be a bit underwhelming (still great), so I could concentrate on Patricia Neal and by this I found such amazing little things and nuances in her performance, that I did not notice for the first time (or couldn't). It's interesting that although many people say she's supporting (Neal too to tell the truth), I have never heard ANYONE complaining about her lead win. It's interesting, but this time I became 100% certain that she's leading. Actually Paul Newman doesn't have that much screentime either (Melvyn Douglas and Brandon de Wilde have tha most I think and Neal has about 22-23 minutes on screen), but her presence has the strenght of a title role. And this is probably the greatest thing about her. Her impact on you is so intense that you can also feel it when she's not on screen and her 22 minutes seem like an hour to you at least. However, to tell the truth I hate counting the screentime, because for me it's not about the seconds and minutes (it's a useless thing to count).

I loved her subtle, yet hard-hitting character shining through the tough and raw personality of her character, Alma (trivia: her name means apple in Hungarian; it's also an interesting fact that she drinks Hungarian wine). She always says that she can take care of herself, but Neal shows very well how Alma tries to hide her insecurity from others (mostly from Hud) and her attraction towards Hud. She seems to be much more independent than accepting Hud's "compliments" and offers, but in fact we know that she just wants to avoid another disappointment in her life (which she had perviously experienced with her husband) and tries to escape desperately, but again she finds the same people everywhere.

We also must not ignore the humor of her performance and her brilliant line-readings (like when she says that her husband was only good because he scratched her back). She never tries to play the cheeky servant, she's just a simple, yet very stubborn, brave woman. I can even say that she's one of the strongest, yet vulnerable characters ever written. She's completely three-dimensional, totally believable person with natural actions and fears inside her soul. The best scene of her performance is probably the one where Hud tries attacks her but tries to escape from him desperately: here she tells so much without saying a word as She shows how scared Alma is, but Neal also suggests that this may not be the first time that something like this had already happened to her.

Neal uses her face and mostly her eyes to tell the story of Alma. Yes she speaks much, but she doesn't tell much with words, it's her facial expressions that let you inside her mind. I cannot really think about any performances like hers among actresses. Only Heath Ledger's performance comes to my mind from Brokeback Mountain even though the characters are very different. Both hit you hard with their subtlety like a bus and grab you and don't let you take your eyes off them as they are so brilliant.

Alma's last scenes, where she says goodbye to Lonnie simply gave me chills. You can NEVER see Alma crying, she's very proud and doesn't let you feel her weakness. She just breaks your heart and fills you with hope that Alma might make it somewhere else. Also, her scene with Hud where she reveals that they could have become closer as she was attracted to him is unforgettable, it nearly burns you.

OK, to sum up I was very-very impressed once again by a fantastic performance and just like Leslie Caron, Neal was 100% realistic, understandable and a real treat to watch. Amazing feat in an amazing movie and is worth of the amount of love that it receives.

Watch Hud with me here and let's discurss the movie and Neal's performance together. I am waiting for the comments and you can still predict (I accept it until the final conclusion and then we can see how many rounds you needed to find out). I think I just finished my longest review if I'm not mistaken.

Leslie Caron in The L-Shaped Room

Charming French actress Leslie Caron received her second Best Actress nomination exactly 10 years after her first one for playing a lonely, pregnant young French woman in Bryan Forbes' black and white kitchen sink drama, The L-Shaped Room. She also received the Golden Globe for Best Actress in a Drama (over a LOT of other nominees check it out). Although she received the prestigeous award, I don't think that she was a big contender for the Oscar (or was she, someone should tell me who's the front-runner that year) as the race was probably among the three American nominees.

The L-Shaped Room is a bit watered, but still harrowing (and typical) kitchen sink drama set in Britain in the 1960s and it focuses on the miseries of simple, working-class people, showing complex relationships and also offering great performances by the actors (and boy I just love these films). Brock Peters probably (not probably, definitely) should have received a nomination for playing the neighbour of Lesile Caron, but we should not ignore the others either as they gave magnificent, strong and memorable performances.

However, nearly all the credit goes down to the brilliant Leslie Caron, who completely holds the movie together with her subtle (very-very subtle) brilliance and charm. Even in her first scenes, we can nearly touch her inconfidence and doubts about her future and life in general. However only we are shown of her upcoming brilliance (and boy that's something) when she considers abortion for the first time. That scene alone is so heartwrenching that you instantly feel sympathy for this poor young girl, but she also mercilessly shows the mistakes and flaws of this woman.

And after she's getting less and less isolated and makes some friends, her performance is just getting better and better. She gets to know a young, unsuccessful writer, Toby with whom she starts a very odd type of relationship, with lots of tension and conflicts. The scene after the party when they are kissing, I literally felt the lips of Caron, it was unbelievable.But even with the development of the character, Jane's still inconfident and does not have much confidence in anyone. When she meets the father of her unborn child, Caron creates an emotionally insanely intense scene, where she reveals that her virginity bothered her so much that it's the only reason she slept with him. She'sthe most subtle dynamite.

And the scene, where she gets to the hospital for the first time is just the icing on the cake (but also the highlight of her whole performance and the movie). That scene almost killed me, and right then I had no doubt how many Meryls I'm going to give to Caron. There are not many performances which are so subtle and yet they get under your skin and impress you immensely. I can only think of Dame Edith Evans in The Whisperers (another Bryan Forbes movie, so it's no co-incidence) as such an actress, who amazes you with such (I dare to say) repressed acting. And their characters have a lot in common: both are lonely, isolated, but they both share a deep desire for a better life. The character of Dame Edith finds it in her fantasies and memories, however life was not that merciful on Caron's Jane. She's a perfectly realistic person still longing for something better, which she cannot have. And this is the heartbreaking truth that completely elevates both the performance of Caron and the movie itself.

So to sum up, this is not performance with a nice packing and absolutely no content in it (I can say numerous hailed performances lacking content), this is hundred per cent reality. Brutally real, brutally heartbreaking. One of the truly great achievemnents I've ever seen. This is Acting with capital A. This rating sytem has officially failed.






Watch The L-Shaped Room (and do so please) here and then I hope we can discuss this performance and your opinion in many comments.

Shirley MacLaine in Irma la Douce

Shirley MacLaine received her third Best Actress nomination for playing Irma, a prostitute from Paris in Billy Wilder's amusing comedy Irma La Douce. MacLaine famously (IMO undeservedly) lost to Liz Taylor when she said some not very nice things about why she did not win. In Irma la Douce she reunited with her co-star in The Apartment, Jack Lemmon. The success was sure and MacLaine received her nomination for her rather leightweight work and I think received many consolation votes from some Academy memebers.

Irma la Douce is an ordinarily funny, but very amusing Billy Wilder-Jack Lemmon movie, which is very far from the brilliance, say, Some Like it Hot or The Apartment. But again it's very-very entertaining and definitely has great lines and very good jokes. The actors give decent comedy performances, Jack Lemmon (my favorite actor ever) is not at the top of his game here, so it's no wonder he was not nominated. This is probably the only movie where I did not like him the most (or at least the second.

Shirley MacLaine's performance as Irma is a very underappreciated one and I dare to say that this nomination of hers is quite disliked or even hated. In a way I can understand the criticism or why people do not love it, this is just not the type of nominated comedy role which people like or appreciate. It's very delightful, but not really one of the best of Shirley or the Best Actress nominees.

Yet I don't want to say anything bad about her, because she really stole the show from the beginning. Even with the first scenes she shows her charm and joy and I think it was simply hilarious. Although when I saw it for the first time I was blown away by her first scenes, now my appreciation has cooled a bit, which does not necessarily mean dislike. It's funny though that throughout the movie you are impressed by someone, but after that the whole thing disappears unfortunately.

She's the best at saying the hilarious lines in such a weird and still funny way. She uses every opportunity to shine, but still after all I felt that something was missing from her performance, I feel that it's a bit incomplete as the beginning of the movie completely focuses on her but in the end she becomes a simple co-lead. First we get to know an independent, loveable and (in a way) conventional call-girl, who's far from the hooker-with-a-hear-of-gold type and it's absolutely free from clichés.

The best parts are in the beginning, including my favorite one, where she first meets Jack Lemmon's character, Nestor. The way she acts in that scene is simply hilarious, radiant and joyful and probably one of the best comic scenes I have ever seen. She's very light, in fact a bit too light for my taste. I don't want to see forced acting, but I want to think that she worked hard on her performance.

As I said, in the end her performance becomes very slow, her presence gets much-much weaker and I started to miss the Shirley of the beginning. But again I can't blame her as she was simply not given that much to do in then and simply did not have the oppotunity to show how much she can do. Although she's able to completely steal the show and outdo Jack Lemmon in many scenes (which is quite impressive), I just cannot really overcome the fact that she nearly faded in the end, which always influences the overall opinion about a performance.

So to sum up, I can only compare her to Emily Watson in Hilary and Jackie. a very different performance. During the movie I was quite impressed and I liked her, but while I was writing the review I suddenly had complaints, doubts and I finished it sourly, struggling to go on. Too bad, as I wanted to love Shirley and I did in a way, it's her performance just lacked something which would have made it special. Still, she's very entertaining and sometimes even hilarious. Good job nevertheless and definitely nomination- and Globe-worthy.







So what do you think? Do you agree or not? I would like to see comments! :)

The Next Year

I'm back from my vacation so we can begin our next year. Well, unfortunately it's no secret that it's 1963, probably one of the most rarely talked about races ever.I've seen only two nominees so far and both of them more than 2 years ago. However, I'm very excited to re-watch them and see the new ones. I really don't know whom I'm going to pick and how the ranking will look like, but that makes it more exciting. (I predict lots of four Meryls)


The nominees were:

• Leslie Caron in The L-Shaped Room
• Shirley MacLaine in Irma La Douce
• Patricia Neal in Hud
• Rachel Roberts in This Sporting Life
  
• Natalie Wood in Love with the Proper Stranger

So, who's your pick? Who's your prediction? If anyone predicticts my exact ranking will get a special mention in the final conclusion. Last time Fritz predicted the whole ranking, so congrats:)

We should try watching these movies together, so I will send links (just click on the title of the movie at the beginning of the entry) in order to discuss them together.

The Final Conclusion - Best Actress 1998

About the field: Three totally forgettable works and two brilliant performances. 1998 was not a very balanced year in terms of greatness. The field is worth not more than 3 Meryls, however if we see the individual performances, we can see that actually, this race was very colorful. We can find many characters: a monarch, a poetic young girl, a lonely woman, a cancer-stricken mum and a musician. Not all the performances were great, but I actually liked all the movies except for One True Thing. In the case of this year, the decision was much easier (Gosh, I'm still a bit sour about Carey Mulligan) and probably even obvious for me. Actually, this was the ranking that I imagined at the very beginning. So here it is:

5. Gwyneth Paltrow in Shakespeare in Love
This is a performance of which I did not have a very high opinion and I still don't, but I managed to like or at least appreciate it. In the last 20 minutes she was utterly charming and lovable, probably what she should have been during the whole movie. I'm not saying this is Oscar material but not bad anyway.

4. Emily Watson in Hilary and Jackie
She mostly gives the same performance she did in Breaking the Waves in a more subtle way. From a mediocre actress, this would have been a terrific achievement. However, we must NOT forget that this is Emily Watson, an amazing talent and therefore you can understand why I was so disappointed with this performance.

3. Meryl Streep in One True Thing
This performance was probably not as bad as it might seem to be from my review, yet I was just very-very disappointed as this is probably the weakest performance I've ever seen from Meryl Streep. I really hoped for something heartbreakingly sad, but never reall got what I wanted. Too bad for her.

2. Cate Blanchett in Elizabeth
The perfect example of "in another year".The best thing about this performance is probably Blanchett's magnetic and flaming on-screen presence, which is so strong, that she does not only commands the screen, she becomes a true dictator or if you like it, a queen with absolute power.

Amazing work by an amazing talent.

1. Fernanda Montenegro in Central Station
This performance is so indescribable as it relies mostly on emotions, so you cannot really get it across unfortunately. I thought that would not impress me that muchi but I was truly wrong. She does not only break your heart and makes you feel sorry for the character, but also lets you know the regrets, desires, thoughts of this person. Totally mesmerizing, beautiful performance for the ages.

So I can proudly announce 
that my winner for this year is,
Fernanda Montenegro 
in Central Station

I have already chosen my next year (which I won't begin until next Thursday unfortunately) and I give some clues so that you can find out:

• a winner with a horrible personal life
• a nominee who's a member of a legendary comedy couple
• Britain rules
• a foreign nominee
• one of the LEAST talked about races ever (if not the one)

These clues might be misleading, so think twice and don't think about the most obvious one.

Fernanda Montenegro in Central Station

Fernanda Montenegro became the first Brazilian actress ever to be nominated for an Academy Award and she was the dark horse to win the award. In Central Station she plays Dora, the lonely, retired schoolteacher who writes letters for illiterate people, but never sends them. Once she meets a woman whose letter she also does not post, however when the woman dies she feels guilty and helps her son find his father he's never seen.

Central Station is a moving, beautiful movie about the friendship of an aging woman and a little boy. We can say that it's a road-movie, however we don't get to know the country, the movie rather focuses on their relationship, starting from dislike, ending in a beautiful friendship. This movie definitely desereved Best Foreign Language Film, which is probably the category where the Academy makes its worst decisions nowadays. The actors give truly honest, loveable performances, which is very rare. They benefit a lot from the realistic and precise screenplay. And I must also add how beautiful the score is.

Fernanda Montenegro is on a whole different level though. It takes a very special not English-speaking performance to be nominated for an Oscar (in 1999 they were in the right mood as Roberto Benigni won for his Italian-speaking overacting in Life is Beautiful) and Montenegro does not only give a very special performance, she simply blows you away with her emotional honesty and she's brutally realistic, especially in the scenes where she tries to hold the truck driver's hands (and in the scene which comes afterwards), she's so indescribably heartbreaking, that you'll never see something so realistic in an American movie.

When we first see her, we immediately think that she's a grumpy old spinster, but she adds real depth to her cahracter. Unlike Cate Blanchett in Elizabeth, she did not have the most baity role, yet she was able to show just as much strength. Dora is a very simple woman, but we can see that she longs for a better life, she wants to be young again. The weight of her regrets is so heavy that the screen nearly blows and so does your heart when you see her. She's not loveable at all, yet we feel immediate sympathy for her and we root for her and care about what happens to her.

I must also add that her scenes with the little boy, Josué are far from soappy or sentimental, they are all very lovely, humorous and realistic. Their chemistry is brilliant and they work miraculously well together. They have the most unusual friendship and conversations full of humor and love. They do well with the comedy inside this heavy and harrowing drama (for example I loved the hliarious shoplifting scene or when they talk about sleeping naked). Montenegro deals with everything in this part with brilliance, great subtlety and dignity. She makes us understand that Dora is esentially a good and caring person, she's just doing inapproriate things because of money. And I almost forgot to tell about brilliance when she's talking about her father and their relationship. Those scenes are probably the highlights of her performance. Not to mention when she reads a letter to Josué's family. At one point, I almost broke down from her gutwrenching greatness.

I have so much to say, but this performance is so indescribable as it relies mostly on emotions, so you cannot really get it across unfortunately. I thought that it would not impress me that much but I was truly wrong. She does not only break your heart and makes you feel sorry for the character, but also lets you know the regrets, desires, thoughts of this person. She lets you in her mind and you don't want to leave her. Totally mesmerizing, beautiful performance for the ages.






This rating seems so low for her, but whatsoever. :)

If you want to see a surprise, just click here.

So what did you feel about Montenegro? Do you agree with me? I'm greedy today so I would like to see MANY comments. What are your predictions for the final outcome?

Cate Blanchett in Elizabeth

Fabulous Cate Blanchett received her first nomination for playing the legendary queen of England, Elizabeth I, which is one of the most brilliant roles that an actress get ever get (just see which actresses played her). However, in Elizabeth we don't see the strong and merciless queen until the very end of the movie, we rather get to know an inconfident girl who has to deal with the unexpected responsibility, the possibility of marriage, vicious enemies and above all, a ruined and weak England.

Elizabeth is a brilliantly made movie of rarely seen quality. The technical part of the movie is one-of-a-kind and simply breathtaking. The editing, the cinematography, the art direction, the costumes and the catchy music are really impressive. However, the best thing about Elizabeth is the unforgettable acting ensemble. Geoffrey Rush should have received a nom for his role as Sir Walsingham (instead of Shakespeare in Love). His performance is very subtle and simply great. Joseph Fiennes gives a reliable, good performance and so does Richard Attenborough, John Gielgud and so on.

Yet, this movie is the one-woman show of Cate Blanchett, playing her first significant role. Although she was not a big star at all at the time, she had as much confidence as she has today. She shows every possible face of Elizabeth, making her a truly unique, exciting character, one you care about, but never truly like. She masterfully deals with all the emotions and knows exactly well what the audience can handle at the time.

In her frist scene, we see a naive young girl dancing and having fun with her friends. We can almost touch her fear and desperartion, but also her courage in the scenes when she's sent to prison and after all the dignity which she handles her new state with. We can feel that this woman will be a great monarch, but Blanchett perfectly show how immature Elizabeth is at the beginning and how much she lacks self-confidence.

The best thing about this performance is probably Blanchett's magnetic and flaming on-screen presence, which is so strong, that she does not only commands the screen, she becomes a true dictator or if you like it, a queen with absolute power. It's so marvellous, that Cate Blanchett also transforms as her character develops. Blanchett plays her in many different ways, she never repeats herself, her talent flows like a river. I can't think about any other performance which is as strong as Blanchett in Elizabeth.

And I also love that she puts very much humor and irony into this performance, I especially loved her bitchy one-liners, despite the fact that I am not a big fan of on-screen bitchiness. And Blanchett also nails it. If I had to pick the higlight of this performance, I cannot really think about one. Her whole thing is the highlight, but if I really had to choose one, it would be probably her monologue about how religion divided England. It's not a coincidence that it was her Oscar clip as it was just breathtaking. However, her breakdowns are also worth mentioning.

It's interesting that although this performance is loved and respected by nearly everyone, and almost nobody likes her in the sequel. I also loved her in that one, but that's a different story. We just have to agree that in Elizabeth, she's not a dynamite, she's a nuclear bomb.

So, to sum up, I got the performance I've been waiting, hoping, praying for. This year has been so weak so far and it was so refreshing to see breathtaking, gutwrenching, tearjerking, exciting and dignified acting on screen. Excellent work by an amazing talent.
Were you also this amazed by great Cate or you simply despised her? Tell me in your comments that I am EAGER to read.

There's only Fernanda Montenegro left, whom I watch in about two hours. I reveal the results on Thursday.

Meryl Streep in One True Thing

Meryl Streep received her eleventh nomination for playing Kate, a perfect housewife with a beautiful family. However, things get a little darker when she turns out to suffer from cancer. Soon her carrerist daughter, Ellen (Renée Zellweger) has to take care of her and their distance becomes true love, they become very close and naturally, Ellen finds out that family is very important and it's very difficult to be responsible for a household.

One True Thing is a very dull cancer drama from the 90s. It has absolutly no depth or reality in it, it's full of clichés, "moving moments", Christmas and piano music. It's not able to deal with cancer properly (very-very few movies can) and throughout the movie I constantly thought Terms of Endearment part 2 - The reverse or Marvin's Room - Another family tragedy. It has absolutely no credibility and you should see Cries and Whispers to see a great movie about the effects of cancer both emotionally and phisically. William Hurt gives a so-so performance in the one-note role of the husband. However, Reneé Zellweger gives a very decent performance as the true lead of the movie, Ellen (would have deserved a nom more).

And marvellous Meryl here is simply Meryl. My most reasonable argument against this nomination is that her role is not really the lead of the movie and leans much more towards supporting. She's there between the fights of Zellweger and Hurt, cries, shows dignity, says a monologue and leaves. Her role is just like the one of Diane Keaton in Marvin's Room: it lacks every credibility or depth. With the exception, that you don't get as close to her as you got to Keaton (who was not at the top of her game either).

Despite this, the beginning of her performance is very well-done. She's the very happy housewife preparing for the birthday of her husband, her vitality and lust can be extremeily well felt and these are probably the only scenes where we can say that "yes, this is Meryl Streep". She solved the first scenes of her disease decently, but I don't really know where this performance loses everything. As the disease of Kate becomes more serious, Meryl goes more and more downhill.

But this is not only Meryl's fault. The screenplay is horrible and although it offers tear-jerking monologues and scenes for Meryl, the creation of a true character was not at all successful. Kate is so one-note and clichéd, it's the typical smiling housewife, baking cookies, doing charities and so on. The fact is, that in her scenes with her daughter, there's no conflict seen, even though there should be som real emotion between them (I did not even dare dream about tension) .

Although the Christmas scene is very sentimental with Meryl singing Silent Night, she's able to do it in a very subtle way, so I was satisfied with that scene. However, towards the end, her gigantic breakdowns are so far from what Meryl usually does that I was certainly surprised. She breaks the plates in her anger, which is illogical from this character and does not fit the story in general.

When I read comments about this movie, I saw the most of the people were truly moved by this it and Meryl, yet personally I felt nothing. I was even more neutral than in the case of Emily Watson. I knew and felt that this was a horrible thing, but I just did not feel anything unfortunately. Too bad, as I really hoped for something heartbreakingly sad.

To sum up, I was disappointed once again unfortunately and this was certainly more shocking than in the other cases (as we're talking about Meryl Streep). However, to tell the truth, Meryl gave her weakest performances in the 90s (and received the worst noms too) and this thing lasted until Adaptation, where she found herself again, I guess. Nevertheless, this performance was not as bad as it might seem to be from this review, yet I was just very-very disappointed. Too weak from Meryl.


What do you think? What are your prediction for the final results? :) I need comments. :)

Anyway, Happy Birthday Meryl! :) This review was not a great way to celebrate, but she won my award for 2009, so that's my gift. XD

Emily Watson in Hilary and Jackie

British actress Emily Watson received her second Academy Award nomination for playing Jacqueline du Pré, the tortured music legend and woman. Jackie's immense talent is discovered when she's a child and soon becomes a celebrated musician travelling around the world, while her sister Hilary (Rachel Griffith) settles down and raises children. Although they have conflicts, Hilary always tries to provide Jackie with the love and attention she requires, even though as a child Hilary was considered to be more talented and the future musician.

Hilary and Jackie is a solid movie about the complex relationship of these two women through the years. The other members of the family are barely mentioned, the movie focuses on the girls, especially Jackie, who's the true lead of the movie. Rachel Griffith gives a fine, subtle performance in the co-leading role of Hilary, the supportive and loving sister. Contrary to a lot of people, in my opinion it was a wise decision to nominate her supporting (the best of that category, Beverly D'Angelo in American History X was not even nominated). A win would have been to much though.

After her famed first role in Breaking the Waves, Emily Watson got the chance to play another baity role as the mentally unstable Jackie suffering from multiple sclerosis. Emily Watson is a great actress with immense talent (as she proved it in Breaking the Waves), in this movie however is not in her best form. She mostly gives the same performance she did in Breaking the Waves in a more subtle way, and this is quite a big problem as there are not many similarities between the two characters.

In her first scene she's playing the chello, smiling. In the very first scene I found her to be a bit lifeless and boring, I was actually very suprised that I was watching Emily Watson. I desperately wanted her to give some life to this character and finally she was able to (in time). The whole movie focuses on her, even the part which should be about her sister. Despite all these things, I thought that Rachel Griffith gave a superior but not nearly as showy performance as Watson. I felt sympathy for her, however Watson does not let us like this character or feel sorry for her and this is in a way the right thing to do, still somehow the viewer mustn't be neutral towards the lead.

The highlight and probably the best part of her performance is probably when she visits her sister. Watson nails those scene to a degree and she becomes very impressive sometimes. Her naked breakdown scene is great and shows the unstable mind of this character very well, even though it's just like Breaking the Waves, which wasn't much of a problem in those scenes.

However, I must admit that in a strange way, I still liked this performance. I liked that she showed that this woman is a sort of manipulative person with huge breakdowns. Still I could never decide if she was jealous of her sister or not. Because if you wait for a conflict or a catfight like in The Turning Point (oh that's a horrible movie), you will be disappointed. Fortunately, the conflicts in this movie are handled with dignity and subtlety. You can see how desperately this woman loves her sister and deeply in her soul she wants themselves to be five years old, playing. Watson captured Jackie's desires and insecurities quite well.

From a mediocre actress, this would have been a terrific achievement, because of this, my rating won't be very low. However, we must NOT forget that this is Emily Watson, an amazing talent and you can understand why I was so disappointed with this performance. As I am writing this review and think about it, I like it much less than I did when I was watching her. The definition of disappointment for me, I expected so much more.







What do you think?

P.S. I know I'm writing these reviews kinda fast, but I have to finish it until Thursday.

Gwyneth Paltrow in Shakespeare in Love

Gwyneth Paltrow received her only nomination and won the Oscar, for playing Viola de Lesseps, a young girl, who's dreaming about becoming an actor and soon gets the part of Romeo in William Shakespeare's (Joseph Fieness) brand new play, Romeo and Juliet and she also becomes romantically involved with the famed author and player, however she's forced to marry the humorless Lord Wessex (Colin Firth) as she has to obey her parents and the Queen (Judi Dench).

Shakespeare in Love is a witty and and entertaining romantic comedy, which is widely hated because it won the Oscar over Saving Private Ryan, still I loved it because of some memories and also because I find it a very good and enjoyable movie, which wasn't necessarily deserving of the Best Picture Oscar. I admit though that it requires a special mood and you cannot always enjoy it (when I rewatched it yesterday I wasn't that impressed either). The music is probably the best thing about it, the screenplay is colorful, witty and smart and the comedy part is OK. Just like the actors, who give solid performances and only the always brilliant Judi Dench stands out, but when doesn't she?

Last time you read anything I wrote (a line) about Gwyneth Paltrow on this blog, it wasn't much of a praise and I kind of regret it, because it just wasn't that fair to say. Gwyneth Platrow is actually a talented and charming performer, who can give very good performances and who's also a very good comedienne (see Iron Man for proof). Just like in the case of Carey Mulligan, she was often compared to Audrey Hepburn at the time (well mainly by the campaign of Harvey Weinstein), which I really don't understand. Paltrow has a totally different personality from Hepburn, she acts in a very different way and they don't even look like each other. This role might be a little like Princess Ann in Roman Holiday. A rich girl who does not enjoy and would rather be with normal people. Roughly, this is the only comparision.

The first time we see Paltrow on scene, she's just laughing charmingly and then whispering the lines of Shakespeare rather awkwardly. We see that she's a girl who's a true dreamer and this is probably too exaggerated in the screenplay and Paltrow could not really handle this. She could either take the role a 100% seriously or emphasise the humor and be a bit ironic, a charicature of Juliet from the play. She wants them both and the two things mix weirdly and the result is being plain and a bit boring.

As this performance is by no means bad, it's only a bit watered and uninteresting. But it's not only the fault of Paltrow, as she's not provided with a very complicated and interesting role and she does not have the opportunity to truly shine. Or there was actually an opportunity but she could not use it. I cannot decide it though.

She also gets the classic comic role of a crossdresser, because in order to become a player Viola has to pretend that she's a man. In the role of Thomas Kent, she's quite good and funny, she brilliantly caught the clumsiness of this young girl who has to act like a man. The way she speaks or walk are both (limitedly) funny, meaning that you are amused by it at first, but then you get nothing special out of it.

However, I have to admit that in the very last scenes she reaches greatness and she even moved me. She perfectly solved her last scene with Shakespeare, which had many traps but she managed to avoid all of them. In the last 20 minutes she was utterly charming and lovable, probably what she should have been during the whole movie and is probably the reason why I give her this rating.

So to sum up, this is a performance of which I did not have a very high opinion and I still don't, but I managed to find like or appreciate. I'm not saying this is Oscar material but not bad anyway. So see my brand new rating system:



Definitely stronger 3 than Sandra Bullock's.



So what do you think? Do you agree?