Showing posts with label Annette Bening. Show all posts
Showing posts with label Annette Bening. Show all posts

Saturday, December 22, 2012

Annette Bening in American Beauty

Annette Bening is not a really lucky lady in terms of Oscar wins. She came incredibly close to winning the Golden Boy not less than three times (well, it might be four if we count The Grifters as well) and she was upstaged by the same person twice. And she's Hilary Swank. There was enough sentiment both times to reward Bening, she was the more acclaimed and respected actress, a true diva. However, like Great Glenn, Annette has never been good at having the critics on her side, which eventually led to her being Oscarless. Of all her nominations, the loss for American Beauty was the biggest and yet personally, it might probably my least favorite of all her nominations.

The roots of all my problems with Bening's performance are in the movie itself. Although at the age of 14, it seemed to be the best movie ever, nowadays I find American Beauty to be pushy, overcooked and even manipulative. First of all, it's so obsessed by the aesthetics and just tries so hard the communicate all the beauties of life. That being said, I'm still stunned by the genious Conrad L. Hall's great cinematography (that 100% deserved the Oscar though it had some serious competition from Sleepy Hollow) and the wonderful art direction (which deserved a nomination at the very least). I can even praise Thomas Newman's catchy, heartbreaking score and yet I feel that Sam Mendes wasn't able to use all these wonderful things properly to have a great effect. But don't get me started on Alan Ball's screenplay, because I'll get really mad. 

There's something similar about Annette Bening's performance here: Bening is a natural source of greatness and brilliance (even though it took me some time to see it). In American Beauty, she stuck with a part that many people imagine would be an actress' dream: for me, however, it's nothing but an overwritten, gross, one-dimensional caricature of the suburban lady who doesn't even get as much screentime as I remembered. In fact, I thought that most of the time, Carolyn Burnham was present in the role of a court jester with over-the-toplines that would make even Diana Christensen blush in comparision. She cries, she screams, she laughs, she's SOOO mean she's VERY pretentious, she' REAAAALLY phony and all she needed was REALLY being nailed by a real estate king and taking shooting lessons. While Kevin Spacey is provided with an arc for her character, Annette is left with some crazily exaggerated, over-the-top scenes. 

This could have been one of the worst performances ever that people still would have loved if it wasn't for Annette Bening. As I said (and I want to emphasise over and over again), Bening is a natural resource of acting greatness and she's excellent even under the most awful circumstances. What I appreciate the most about this performance is how dynamic and vivid Bening actually is in the role. She actually was able to make the screenplay work in her favor in many ways: she didn't decide to tone down the character a little bit and instead, she chose to go all the way with Carolyn. It was a very risky move on her part though I'd say if she hadn't done crazy overacting here, this would have turned out even shakier than it is. 

As I've previously mentioned, Carolyn is written as a gross caricature, which would be fine considering the subject of the film (the pretentious and empty life of the American suburbs), but Alan Ball forgot about something: writing Carolyn as an actual human being. She's such an unbelievably consistent bitch that you'd hardly find one person like that in real life. There's absolutely no color and texture in her and yes, she's only there as a court jester. That being said, Annette (with her over-the-top acting) makes you remember Carolyn and in a way, added some humanity to this humanoid character and also made her, one of the better aspects of this movie.

If there's nothing else about Annette in this movie, she's memorable at the very least. She pulls off the entertainment part of this performance beautifully: she's nothing short of amazing in her deliveries of those crazy lines and she says them like nobody's business. Her "I will sell this house today" scene is, quite simply, brilliant. Her breakdown in the end is just brilliant: she really is like a baby whose candy was taken from her. The hysterics of Carolyn are played so brilliantly by Bening that sometimes you even ignore those major gaps in the character. In my humble opinion, if there's anything you can rely on in case you hate American Beauty, it's probably Annette. Weirdly enough, she gives the least pretentious and most honest performance of the cast despite playing the "obvious" #1 phony of the story. Just like Carolyn is a shameless phony, Annette is just shamelessly over-the-top here, not sweating (like the rest of the cast) to make this movie "mean something" to the audience.

I'd like to ask Annette privately what she herself really thinks about this character and the movie. I'm quite certain that she considers it one of the high points of her day career. I wonder, though, if it is about the richness of the character or the acclaim and the awards she received for it. It's neither her most demanding nor the most rewarding (both are easily be Being Julia in my view, that was tailor made for her and she was brilliant). She gained lots of fans with this role and I also bow before her talent and her ability to save the movie. However, that's because she so wonderfully saved the movie with her crazy acting and she was the only character that eventually carries some emotional weight. With all the exaggerations and the hysterics, Bening showed a more human side of Carolyn that the story so carefully concealed.

While this might be my least favorite of her nominationsI really admire this performance of La Bening, partly because of the previously mentioned movie-saving and partly because we got to witness what a brilliant comedienne she really is. Her scenes are unforgettable and not only because of the hysterics, but also her amazing skills. She's doing some crazy overacting and goes way over the top, but I feel her acting seems even better compared to the rest of the movie.

What do you think?

Friday, December 21, 2012

The Next Year

1999



So the nominees were:
  • Annette Bening in American Beauty
  • Janet McTeer in Tumbleweeds
  • Julianne Moore in The End of The Affair
  • Meryl Streep in Music of the Heart
  • Hilary Swank in Boys Don't Cry
Since I'm busy and have absolutely no motivation to go on with 1938 (well, um, to start it), I'm doing a year I'm really interested in. :) This is the first Bening-Swank fight though it's not as controversial despite the fact that Swank won in an upset. And let's face it, this year looks pretty stunning to me. :)

What do you think? Who's your pick? What's your prediction for my ranking? :) 

Thursday, November 10, 2011

The Final Conclusion - Best Actress 2004

2004


So the much anticipated ranking is:

What could Hilary do in this movie, where a great actress like Margo Martindale becomes a caricature? Nothing, but remaining what the screenplay intended her to be: a cliché, nothing more than that. She does the Oscar scenes the way she's supposed to, she's easy to sympathize with so what else can I ask for? Truth and honesty, no cheap, shallow emotions.

I'm saying that I was once again impressed by Catalina's screen debut as Maria. She played this character with lots of dedication and confidence, while avoiding the obvious traps. She never becomes 'obvious' in her acting, totally identifies with her character and develops her wonderfully. I can only praise her for her incredible, extremely heart-breaking performance.

Pure delight! Annette's performane as Julia reminded me of Pauline Collins in Shirley Valentine. It may not be a huge dramatic achievement but she's so delightful and I was so in love with the character that I couldn't get enough of her. She took this wonderful part and turned it into a fascinating, wonderful creation that's incredibly delightful.

After all, I can't say anything negative about Imelda Staunton as Vera Drake. Although I don't love her as much as I used to, I still find her simply fantastic. She completely became this character and wonderfully played with the emotions. The way Imelda reveals all the layers of Vera and creates dramatic tension on the screen is just unbelievably great. Unforgettable, remarkable work.

A no-brainer pick. Honestly, the "Am I ugly?" scene just locked and sealed this win and there was no other way. Kate is just as great as Clementine as people say, if not better. She evokes all the great feelings of Diane Keaton's Annie Hall without shamelessly copying her. Kate's Clementine is an utterly fascinating, unique creation bursting with creativity. Kate solved her task flawlessly and she deserves nothing but praise for it.

So I can proudly announce
that the winner is...
Kate Winslet
in
Eternal Sunshine
of the Spotless Mind
There you go, Wonder Woman. :)

Final thoughts: Wonderful year, horrible winner. Really Academy, really? I am stunned by this decision. Didn't they watch the other movies???? Kate was such an easy winner here. Her performance only got better in time. Just like Kate was the winner, Hilary was the no-brainer last but I'm not talking about her anymore. The other three were, however, the hardest to rank. It was incredibly difficult for me. I picked Annette second, she's a real delight here. That must raise some eyebrows but I honestly don't care. I was considering ranking her fourth but I got to a point where I found: hell, I liked her most next to Kate. To be perfectly honest, I would have voted for Annette as an Academy member because she was so great and overdue. OK, she's brilliant, that's it. Imelda and Catalina are pretty much equal for me, therefore their order was kind of random. :)

Omissions: Uma Thurman in Kill Bil Vol. 2.

About the next year: You just never know what can happen. My sudden encounter with this year was a shock and I never thought I could do it. It's gonna be very exciting, with four performances I haven't even seen. Clues:
  • DON'T SPEAAAAAK!
What do you think? Any thoughts on your mind?

Saturday, October 29, 2011

Annette Bening in Being Julia

Poor Annette Bening, I seriously feel sorry for her. She has been so close to winning the Oscar three times at least (you might argue about her first nomination). Every time she turned on a performance to which people said she was going to win the Oscar, along came a younger actress with a showier, flashier and bigger performance and crashed Annette's Oscar hopes. Natalie Portman's win was much better received than Hilary Swank's second. Basically, the sometimes immense hate thrown against Swank might come from the fact that she beat poor Annette twice, who was (in my opinion) the runner-up both times.

Being Julia, in my opinion, is a delightful, wonderful movie. Although it's not among István Szabó's best works, it's extremely entertaining and very well-made. I enjoyed each and every moment of it, maybe partly to the nice memories that I have from the time it was released. When the movie had its premiere here in Hungary at the oldest movie theater, the media was crazy about the fact that Annette Bening came to us and there were even reports about what she had for dinner (!). A couple of months later, she was nominated for the Oscar. The hysteria went on and it became a sort of patriotic duty to be rooting for Annette Bening's win. At the time of the show, the commentators didn't even hide their disappointment when she lost. (I think something similar will happen with The Door and Helen Mirren).

I'm not a big fan of Annette Bening for one simple reason: I haven't seen enough of her movies. I'm only acquainted with her Oscar-nominated performances and most especially The Kids Are All Right, which I was extremely amazed by for the first time and yet for a second time I was kind of underwhelmed. But from what I saw of her, I've really started to like her and now I truly, sincerely wish that she won an Oscar. I hope it happens once. Personally, if she had a great supporting role, she would instantly win (that's the same thing I think about Sigourney Weaver).

Although some people write Annette's performance as Julia Lambert off as a desperate attempt to recreate Margo Channing, I'd say that's the worst interpretation of this character. Unlike Margo, Julia is not bitter and sarcastic, but extremely self-confident and sharp. Naturally, the bitchy, divaish quality is in both of them (that makes them both irresistable) and yet I would say that Julia is more positive and optimistic. She's an eccentric, larger-than-life creation and yet there's something irresistably human about her. She bursts with energy and talent and who better could play her than Annette Bening, a truly energetic and talented actress.

Julia Lambert is the greatest star of the London stage and she constantly lives up to her status as the most distinguished actress. She's a star and a diva in the best sense of the word and she's just unbelievably awesome at the different areas of life. I love her wonderful, delicate bitchiness in the scene where a snobbish woman asks her if her father was a doctor in Jersey. I won't say her answer, only that it's probably the most priceless moment of the movie.

However, at the beginning of the movie, we see Julia as someone, who's tired and fed up with her life and has very theatrical breakdowns to her friends. I loved the monologue she said to her friend and admirer at the restaurant. It all seems very exaggerated and theatrical and yet it somehow works incredibly. It's like she was acting on the stage and she was working for the applause and appreciation of the audience. Strangely enough, I myself almost started to clap many times while I was watching the film. Annette was able to create to divine presence of a distinguished stage actres, who's so blisteringly brilliant and dignified that you're tongue-tied whenever you see her. The same goes for Annette: she makes the impression of a wonderful actress while seeming incredibly effortless. I just kept wondering at how wonderful she is

Julia is a very dangerous character as any false note would have ruined the performance. However, Annette found the perfect balance. Naturally, it's very colorful and over-the-top work, but Annette knew when to hold back and when to be loud. I would say there are no flaws in this performance, except for the fact that I wanted to see even more of her. She was so good and enjoyable that I couldn't get enough of her. In each and every moment, I was delighted by her presence and wonderul persona. That big revenge scene in the end is, again, priceless.

Annette's performane as Julia reminded me of Pauline Collins in Shirley Valentine. It may not be a huge dramatic achievement but she's so delightful and I was so in love with the character that I couldn't get enough of her. She took this wonderful part and turned it into a fascinating, wonderful creation that's incredibly delightful.
What do you think?

Saturday, October 22, 2011

The Next Year

2004

So the nominees were:
  • Annette Bening in Being Julia
  • Catalina Sandino Moreno in Maria Full of Grace
  • Imelda Staunton in Vera Drake
  • Hilary Swank in Million Dollar Baby
  • Kate Winslet in Eternal Sunshine of the Spotless Mind
A race with a really unpopular winner and four performances that have tons of fans. We'll see how I'll appreciate these ladies. :)

What do you think? What's your ranking? What's your prediction for my ranking?

Saturday, February 12, 2011

The Final Conclusion - Best Actress 2010

2010


The much anticipated ranking:

I would be quite upset if Annette won in a shocker. Not because I hate her, I just don't feel that this is something that is worthy of an Oscar with such a competition. It's true that Bening has her great and memorable scenes, but this is not an amazing performance by any means. It's just very good, proper acting in a fine movie.

I can say that Nicole Kidman gave a very heartbreaking and beautiful performance as Rebecca Corbett. Although it did not blow my socks off, it was a very emotional and wonderful experience for me. Nicole approached this character very subtly and as a result, we got an excellent performance by her.

This was a very exceptional performance by a young actress, which may not be amazing or mindblowing for the first time but it's very intense and memorable work. Lawrence took the character of Ree Dolly and created a real character. I really appreciated this achievement because of its fierce nature.

This is a terrific, very unusual performance that is extremely memorable and haunting. Michelle Williams took a very ordinary character and made her something very interesting. It may not be for everyone, but it's surely breathtaking breathtaking once in a while. A real treat for Best Actress fans.

I can say that Natalie Portman, an actress whom a did not consider a real talent, kicks ass as Nina and gives a performance that has the strength of Mo'Nique in Precious, Marion Cotillard in La Vie en Rose. If she wins, it will be hard for the next winner to live up to the standard she showed. A terrifying, brilliant performance after which you feel being hit by a full-guided tour bus.

So I can proudly announce
that my winner is...
Natalie Portman
in
Black Swan
You won at least this one, Natalie! :D

Final thoughts: Wow, ranking is rarely so easy. I must say that this year is not THAT fantastic. Only Natalie and Michelle fall into that category. Nicole is very great, so is Jennifer, Annette is very good. I hope that if anyone upsets that will be Michelle or Nicole though that's almost impossible. Personally, I would hate a Bening win and her chances are getting bigger and bigger (please tell in the comments that Natalie will win). Sorry fans, I don't want to offend anyone but that performance was not something I would call the best. I really enjoyed this year anyhow.

Omissions: I can't think of any. Maybe Julianna Margulies in City Island though I would consider her supporting. Many say she's leading. I don't really mind the Moore snub. I feel, though, that the comparisions between Annette and Julianne are inevitable and that will take a lot of votes away from Annette.

And there's also a winner of the predicting contest: Malcolm, congratulations on your great predictions! :)

The ranking of the already reviewed years:
  1. 1969
  2. 1974
  3. 1989
  4. 1959
  5. 1939
  6. 2010
  7. 2009
  8. 1980
  9. 1941
  10. 1963
  11. 1966
  12. 1973
  13. 1990
  14. 1978
  15. 1954
  16. 1948
  17. 2002
  18. 1940
  19. 1998
About the next year: Wow, again, I couldn't decide so I let you decide, which should be my 20th reviewed year (I was thinking about 1968 as it's so historical, but I'd really like to do the other two, too). There's a poll on your right. Happy voting!

Note: Unfortunately I will have to create a new poll as I won't be able to do 1971, because Sunday, Bloody Sunday was removed from Youtube. Sorry to everyone who voted for that year. I included 1977 instead and there's a brand new poll.

Friday, February 11, 2011

Annette Bening in The Kids Are All Right

Annette Bening received her fourth Oscar nomination for playing Nic, a lesbian doctor in The Kids Are All Right. If Bening wasn't nominated, I would say that Natalie is totally locked for that Best Actress win. Bening is really considered overdue, she married well and she's quite respected in the industry. However, there's one serious thing against her. Voters (presumably) watch the screener of the movie and if they see it before or after Natalie Portman or Michelle Williams, I just cannot imagine that they vote for Annette. Yes, she's a straight actor playing gay, but they love this with men and only if there's a message in the movie. So, I guess Annette will have to wait for that Oscar (hopefully).

The Kids Are All Right is a pretty average movie at a second viewing. When I first saw it, I was totally captivated by it and I so loved it. I felt that it was entertaining, loveable, funny, emotional and everything. However, my views have changed about it. This time I found it quite boring (is it me that I think that most of this year's Best Picture nominees are damn boring) and quite one-dimensional. That screenplay, which is quite impressive at first sight, has some really stupid faults. Mark Ruffalo gives a very good and proper performance, but I don't think he was good enough to be nominated over Andrew Garfield. Although many people complain about the snub of Julianne Moore, I don't think it's such a tragedy as this is not her best work.

Unfortunately the same goes for Annette Bening (or her majesty as she's called on a certain blog). First of all, I don't really like Bening's off-screen persona. She can annoy the hell out of me with that wide smile and twisting of her head. Moreover, I don't think either, that she's such a brilliant actress as some say. Could anyone say a performance of hers that's totally amazing and mindblowing? If you're really honest, the answer is NO (OK, maybe American Beauty). She's great at best. Still, great is great.

Annette Bening plays Nic, a very serious and perfectionist lesbian doctor who just loves being in control of what's happening in her life. She's strong-willed, a bit conventional (yes, I think she is) and quite possessive. There's so much tension going on between her and her partner, Jules. Jules is a much more free-spirited, carefree person and the two are really polar opposites of each other. Nic doesn't really develop in the story (nobody does) but there are some scenes where she almost does thanks to Annette Bening. When I first saw this performance, I was completely mesmerized and effected by her but now my love cooled considerably.

First of all, the screentime is really working against Annette. Actually, the movie is mostly an ensemble picture where one really should be the standout to be singled out. In fact, Bening stands out of the cast, however, that's not a big achievement. All the roles (including Nic) are quite one-dimensional and as I said they don't really develop and they don't have any real depth. I guess goal of entertaining overshadowed the point in this movie. The whole meaning of the movie (or what it should have been) is in Annette's performance.

Bening's performance as Nic starts out quite slowly and so usually that you would never expect that she would be anything special. For the most of the movie (until the dinner scene), Nic doesn't have a very important part and she's just there being grumpy with the other members of that family. To tell the truth, it's not much, but Bening is really fine in these moments. Nothing interesting happens with Nic and nothing interesting happens in the performance. It's too bad actually because this way her performance becomes a bit uneven.

However, after the dinner scene, the performance becomes a bit more dynamic and finally something is happening. It's a very memorable moment when Nic finds Jules' hair. Annette acts so brilliantly with her face there. Again, the confrontation scene between her and Julianne Moore is just fantastic. She delivered the line "Did you take a nap, too?" so shraply and brilliantly that it really took my breath away. I said to myself, yes, the whole performance should have been like this. She's also great during the huge monologue of Julianne Moore. Those are quite great moments.

So, to sum up, I would be quite upset if Annette won in a shocker. Not because I hate her, I just don't feel that this is something that is worthy of an Oscar. It's true that Bening has her great and memorable scenes, but this is not an amazing performance by any means. It's just very good, proper acting in an average movie.
I'm a bit too harsh on her I think, this is really how I feel.

What do you think? It's time for your last predictions! :)

Wednesday, February 2, 2011

The Next Year

2010


So the nominees are:
  • Annette Bening in The Kids Are All Right
  • Nicole Kidman in Rabbit Hole
  • Jennifer Lawrence in Winter's Bone
  • Natalie Portman in Black Swan
  • Michelle Williams in Blue Valentine
Seems to be a great year. We'll see. What are your predictions for my ranking and for Oscar's preference (Natalie seems to be a shoo-in, but Annette might surprise)? The predicting contest is on.

I'm saying right now that Natalie's review comes on 19th February.