Showing posts with label Jodie Foster. Show all posts
Showing posts with label Jodie Foster. Show all posts

Friday, July 13, 2012

The Final Conclusion - Best Actress 1988

1988


So the much anticipated ranking is:

5. Sigourney Weaver in Gorillas in the Mist
I liked and admired Sigourney Weaver in Gorillas in the Mist. Although I saw the dedication and her commitment to her character, somehow she never really won me over completely, which is extremely unusual for me with a performance by Siggy. She shows the passion and the development of her character wonderfully, she doesn't go too much over the top (except for some scenes). Even despite her thrilling scenes with the gorillas, I couldn't warm up to her.

4. Jodie Foster in The Accused
Jodie Foster gives a very good and intense performance as Sarah Tobias. Although she's much less effective the second time around, her strength is occasionally captivating and she leaves a lasting impression in the end. Jodie minimises the scenery chewing and her acting is never too much in your face. And her courtroom scene is one of the best acted scenes of Jodie's career. Memorable, strong work.

I don't care if it's fashionable or not, I love Melanie Griffith in Working Girl. I sympathized with her and felt for her character throughout the movie, no matter if she was hoovering topless or changing her look or interacting with her men. I laughed with her, got sad with her and I just always wanted her to get to the top. I loved Melanie's clear, almost naive emotions, her optimism, her glowing, funny, joyous personality.

2. Meryl Streep in A Cry in the Dark
Meryl Streep gives an excellent performance as Lindy Chamberlain. Although I'm not as enthusiastic about her in this film as so many others, I can perfectly see why they fell in love with this performance. It's compelling, complex, multi-layered and very-very effective. Some may accuse Meryl of being too calculating and planned, but to me this is one of her most natural and emotional performances, she's a real force on the screen and always a thrill to hear and look at.

1. Glenn Close in Dangerous Liaisons
Amazing or fantastic or career-best doesn't even begin to describe how brilliant Great Glenn is as Marquise de Merteuil. Each and every movement and word of hers is so great that I just keep marvelling. Naturally, the Academy refused to acknowledge this earth-shattering performance with an Oscar win and yet that tells something about the Academy itself instead of Great Glenn who's simply electrifying. A true masterclass in acting, which makes me think if I should call Great Glenn Brilliant Glenn or Greatest Glenn from now on.

So I can proudly announce
that the winner is...
Glenn Close 
in 
Dangerous Liaisons
Glorious Great Glenn

Final thoughts: A truly interesting, wonderfully rich year, the best comeback I can imagine. :) It was the last review for Siggy and more sadly, Great Glenn (for the time being, I hope) and I'm so glad that they've both come out triumphant at least once (I'm a bit sad that I didn't leave Aliens last for Siggy). The real surprise was Melanie whom I liked way more than last time. I'm glad about her nod though it might seem weird that she got nominated instead of some very-very acclaimed performances (I guess you're very surprised by how much I liked her). But I don't really mind that she got nominated. Jodie Foster was Oscar's choice and I'm kind of baffled by her win, especially with hindsight. She went on to win another Oscar, while Great Glenn and Siggy remained Oscarless. And then there's Meryl who has a renaissance among bloggers with her Lindy Chamberlain performance. I suppose that review was the most anticipated and exciting. I don't think that anyone was surprised by my thoughts on Great Glenn and her subsequent (to me no-brainer) win. :)))

Omissions (never seen Sarandon and Michelle Pfeiffer but planning to):
  • Jamie Lee Curtis in A Fish Called Wanda
  • Carmen Maura in Women on the Verge of a Nervous Breakdown

The next year:
  • It will be a surprise; I don't know yet. :) It starts on 15th July.  

What do you think? Any thoughts on your mind?

Monday, July 2, 2012

Jodie Foster in The Accused

Jodie Foster received her second Oscar nomination and first Oscar for playing Sarah Tobias, a rape victim in  the typical 80s movie, The Accused. After the nominations were announced, the Best Actress race seemed to be a tough one, which was among three actresses: Great Glenn, Melanie and Jodie. We have already speculated about why Jodie won and there are many possible explanations, I suppose it was mostly down to the fact that she was a previously Oscar nominated former child star who turned out to be a great actress as an adult as well, plus, that she was playing a very showy, baity part. However, I('d like to) think that her win was seriously threatened by Great Glenn.

The Accused as a movie is so... eighties. My goodness, the music, the story, Kelly McGillis, it's just simply too eighties to be ignored. I guess it would have made an Emmy-winning tv movie in 1993, but as a feature film it's quite shallow, poorly directed and one-dimensional. I suppose it was effective at the time, but nowadays it just seems too dated and corny. It really doesn't tell much about the real horror of rape, it really doesn't emphasise the fact that Jodie's character is a victim (in the right way). All in all, the movie refuses to give up the #1 purpuse of entertaining the audience and that's why we get all those cheesy monologues from McGillis etc.  

However, you can always hope that Jodie Foster, being one of the greatest, most intelligent actresses, gives some life even to a rather shallow plot. As a child actress, Jodie impressed people with her fierce, intelligent, radiant personality and she succesfully saved that to her later roles. Although I'm kind of sad that she seems to be cast in the same part over and over again nowadays, we just cannot deny her versatility and greatness. Obviously, when she was cast as Sarah Tobias, Kelly McGillis was the greater star and yet in the end, Jodie proved that she's the more enduring presence on the screen. 

Sarah Tobias seems to be a typical white trash woman who would have been played by Melissa Leo if she had been more famous back then. Such a part requires something that I really-really dislike: scenery chewing. Thankfully, one of the most subtle actresses, Jodie Foster was there to do that in the least obvious way, but a fact is a fact and scenery chewing remains scenery chewing. Jodie, a favorite of mine, was there to do one of my least favorite things in acting and therefore not having a great chance of winning me over. 

She succeeded partly, though. Although her character doesn't have much of a development, Jodie seems to realise that and instead she tries to show us what's going on in Sarah's head and as a result, she created a (sort of) intimate portrait of a woman who's going through a very traumatic event. Kelly McGillis gets the huge courtroom speeches, but it's Jodie who gets the tears and the more emotional storyline. The audience sympathises with Jodie despite the fact that her character is so trashy. 

Moreover, Jodie's always magnetic presence constantly draws the attention of the viewer and despite the lack of big screentime, she's able to leave a strong impression. I must say, though, she didn't have to do much since the movie constantly provided her with the opportunities to shine, she just had to live with all of them. And for an actress of her caliber, it wasn't the most difficult task. This might be very unpopular thing to say, but I would even dare to say that this was an easy role for Jodie. 

The first time you see this movie, you don't really notice this since you are captivated by the emotions as she's indeed effective. However, at a second viewing, you can be more objective because you know what to expect and the shock on you is not going to be that strong. Interestingly, no big flaws come to surface once you see her again. It's just that you're not that drawn by her and you can see that this character is not much of a deal (which doesn't mean you're not sympathising with her, it's just that you cannot get so passionate about the story).

Also, it's quite fun to see Jodie's interactions with Kelly McGillis. Their chemistry is excellent and I loved how the two of them showed the alliance of two worlds, two lifestyles. Although Jodie acts circles around McGillis, it somehow doesn't ruin balance between the two characters. I especially loved the scene between them where Jodie reads McGillis' horoscope. There's a kind of a tenderness and intimacy to that scene, which makes it particularly impressive. I always felt that the relationship between them is the strongest and most believable part of the movie. I loved how the actresses gradually broke down the barriers between the characters and got closer to each other.

However, the highlight of Jodie Foster's performance is her character's testimony at the courtroom. It was one of the rare deep moments of the film and I remained captivated by Jodie's energy and the emotions she portrayed. For me, her words were much more harrowing than the actual scene of the rape, because it (even if for a short period of time) really showed the disturbing consequences of rape on a person's soul. I was most blown away by one sentence that she says after being almost tortured by a lawyer and she simply replies: 'Yes, that's fair.' It's quite probably my favorite Jodie Foster moment ever as it sums up why she's so great as an actress: she has wonderful emotional intelligence.

All in all, Jodie Foster gives a very good and intense performance as Sarah Tobias. Although she's much less effective the second time around, her strength is occasionally captivating and she leaves a lasting impression in the end. Jodie minimises the scenery chewing and her acting is never too much in your face. And her courtroom scene is one of the best acted scenes of Jodie's career. Memorable, strong work. 

What do you think? The next review comes on Thursday at the same time. I decided to give you more time to comment and I don't want to fall behind them, either while I'm away. 

Tuesday, June 26, 2012

The Next Year

1988


So the nominees were:
  • Glenn Close in Dangerous Liaisons
  • Jodie Foster in The Accused
  • Melanie Griffith in Working Girl
  • Meryl Streep in A Cry in the Dark
  • Sigourney Weaver in Gorillas in the Mist
Continuing a Streepathon celebrating Meryl's third, a year with three previous winners of mine and two ladies I haven't yet reviewed. Great Glenn seems to be the odds-on favorite to win here but let's see if I'll jump on the Meryl bandwagon like many of my fellow bloggers or pick someone else. :)

What do you think? Who's your pick? What's your prediction for my ranking? :)