Showing posts with label Sigourney Weaver. Show all posts
Showing posts with label Sigourney Weaver. Show all posts

Friday, July 13, 2012

The Final Conclusion - Best Actress 1988

1988


So the much anticipated ranking is:

5. Sigourney Weaver in Gorillas in the Mist
I liked and admired Sigourney Weaver in Gorillas in the Mist. Although I saw the dedication and her commitment to her character, somehow she never really won me over completely, which is extremely unusual for me with a performance by Siggy. She shows the passion and the development of her character wonderfully, she doesn't go too much over the top (except for some scenes). Even despite her thrilling scenes with the gorillas, I couldn't warm up to her.

4. Jodie Foster in The Accused
Jodie Foster gives a very good and intense performance as Sarah Tobias. Although she's much less effective the second time around, her strength is occasionally captivating and she leaves a lasting impression in the end. Jodie minimises the scenery chewing and her acting is never too much in your face. And her courtroom scene is one of the best acted scenes of Jodie's career. Memorable, strong work.

I don't care if it's fashionable or not, I love Melanie Griffith in Working Girl. I sympathized with her and felt for her character throughout the movie, no matter if she was hoovering topless or changing her look or interacting with her men. I laughed with her, got sad with her and I just always wanted her to get to the top. I loved Melanie's clear, almost naive emotions, her optimism, her glowing, funny, joyous personality.

2. Meryl Streep in A Cry in the Dark
Meryl Streep gives an excellent performance as Lindy Chamberlain. Although I'm not as enthusiastic about her in this film as so many others, I can perfectly see why they fell in love with this performance. It's compelling, complex, multi-layered and very-very effective. Some may accuse Meryl of being too calculating and planned, but to me this is one of her most natural and emotional performances, she's a real force on the screen and always a thrill to hear and look at.

1. Glenn Close in Dangerous Liaisons
Amazing or fantastic or career-best doesn't even begin to describe how brilliant Great Glenn is as Marquise de Merteuil. Each and every movement and word of hers is so great that I just keep marvelling. Naturally, the Academy refused to acknowledge this earth-shattering performance with an Oscar win and yet that tells something about the Academy itself instead of Great Glenn who's simply electrifying. A true masterclass in acting, which makes me think if I should call Great Glenn Brilliant Glenn or Greatest Glenn from now on.

So I can proudly announce
that the winner is...
Glenn Close 
in 
Dangerous Liaisons
Glorious Great Glenn

Final thoughts: A truly interesting, wonderfully rich year, the best comeback I can imagine. :) It was the last review for Siggy and more sadly, Great Glenn (for the time being, I hope) and I'm so glad that they've both come out triumphant at least once (I'm a bit sad that I didn't leave Aliens last for Siggy). The real surprise was Melanie whom I liked way more than last time. I'm glad about her nod though it might seem weird that she got nominated instead of some very-very acclaimed performances (I guess you're very surprised by how much I liked her). But I don't really mind that she got nominated. Jodie Foster was Oscar's choice and I'm kind of baffled by her win, especially with hindsight. She went on to win another Oscar, while Great Glenn and Siggy remained Oscarless. And then there's Meryl who has a renaissance among bloggers with her Lindy Chamberlain performance. I suppose that review was the most anticipated and exciting. I don't think that anyone was surprised by my thoughts on Great Glenn and her subsequent (to me no-brainer) win. :)))

Omissions (never seen Sarandon and Michelle Pfeiffer but planning to):
  • Jamie Lee Curtis in A Fish Called Wanda
  • Carmen Maura in Women on the Verge of a Nervous Breakdown

The next year:
  • It will be a surprise; I don't know yet. :) It starts on 15th July.  

What do you think? Any thoughts on your mind?

Sunday, July 8, 2012

Sigourney Weaver in Gorillas in the Mist: The Story of Dian Fossey

Sigourney Weaver received her second (and to date last) Best Actress nomination for playing Dian Fossey, a murdered scientist who dedicated her life to saving gorillas from extinction. Not only did Siggy join the double nominees club in 1988, but she also became the first actress to lose two Oscars at one show. It must have been very disappointing for poor Siggy but I suppose the worst thing for her must have been the people expressing how sorry they were. Her loss can be understood extremely easily: she split votes with herself since neither category had a very strong front-runner. As a result, voters had no idea where to vote for her and oops... I suppose in the end she was third in Best Actress and second in Best Supporting Actress (why the hell couldn't they give her that one at least, my pick is Joan but I definitely would have voted for Siggy at the time; oh is Joan really my pick? :D). 

Gorillas in the Mist is a nice movie, even though sometimes it just drags along. It is an exhausting piece despite the fact that it's not a real challenge for your intelligence or any of your senses. It's properly written, directed and acting, plus, I really have to underline the fact Maurice Jarre's score that's probably the best thing about the whole movie. Although I'm not sure if I would have voted for it (hello Dangerous Liaisons), it created a wonderful atmosphere to the movie. I was pretty much amazed by it. And as a big fan of The Good Wife, I found it so funny that Siggy went for the same guy that Christine Baranski does there (Bryan Brown). :-)

I have sentimental and cool reasons to love Sigourney Weaver. OK, the sentimental one is that she was my second celeb childhood crush after Julianna Margulies (again, connections with The Good Wife, weird) and for that reason, she always remains special to me. The cool reason came four or five years later, when I turned into an Alien fanatic (OK, now I can admit that not even dearest Jane had a prayer of getting my vote in 1986) and I could just watch anything she's in. Moreover, it doesn't hurt, either, that I was also a Ghostbusters fanatic for a couple of years. And as it was pointed out to me earlier how much she looked like Jane Fonda, that pretty much sealed the deal for me. All in all, I can't really go wrong with a Sigourney Weaver movie and as a result, I'm more lenient and less objective about her than I should probably be.

Despite all these things, I have to say right here and right now that I couldn't really warm up to her performance as Dian Fossey. I'm perfectly aware that her most dedicated fans consider this to be her masterpiece (for me that's easily Aliens), I'm not much of a fan and I consider this to be her least impressive nominated work (so sorry Derek :-( ). That being said, it doesn't mean that I don't like her in this movie because I do in many ways.

I suppose my sort of reluctant feelings are mostly down to the fact that I could never really smypathise with her character. Don't misunderstand me, I find Dian Fossey a brilliant woman who did so much for protecting gorillas and as a result, the diversity of species on our Earth, it's just that the story's portrait of her is rather lacking and pale.

Therefore, it was up to Sigourney to replace the missing parts. Naturally, she does the best she can and her dedication is truly admirable, I just never really warmed up to her performance like I usually do with her. I'm aware of how hard and how long Siggy worked with those gorillas plus she nailed the technical part of this character, in my opinion. That way, she was almost perfect, in my humble opinion.

And the scenes where we can see her communicating with the gorillas are just thrilling. Siggy perfectly showed how well Dian understood these animals and how attached she has become to them. She shows that gorillas were Dian's real family and she acted like a protective mother around them. It's an interesting process to witness.

The character of Dian goes through a huge development and it was up to Siggy to make it as believable and intriguing as possible. The movie tried to reveal a darker side of Dian, but I felt that it was sometimes too forgiving and easy on her. And that unfortunately applies to Siggy as well. She wants to show that Dian Fossey became a fanatic towards the end, but I never thought that she was willing to risk not being considered a hero. I think a more subtle and detailed approach to Dian's flaws would have helped a lot. Because this way, it could be considered a bigger meltdown, which was actually only a little bit over-the-top and I was really affected by it. And yet, with hindsight, it seems a little bit out of place, especially considering Siggy's previous approach, which was more subtle.

Another very interesting part of this performance was Siggy's scenes where Dian finds love on the side of the photographer played by Bryan Brown. The chemistry between the two actors is extremely strong and I was really impressed how tender they scenes became. And Siggy's acting is probably the most balanced in these moments.

I also enjoyed the interactions between Dian and her friend Sembagare, the only person who always understood her and stood right by her side. Their friendship was portrayed so wonderfully by both actors and it was a thrill to watch them being together on the screen, with Dian being the passionate, emotional one and Sembagare being the more reserved and cool-headed one of the two.

As I stated earlier, I want to be lenient with Siggy here. And there are more reasons than the fact that I love her in general: there's really a great deal to love and admire about this performance, I just don't think I can so easily ignore the things that bothered me. I have the exact same reaction that I had to Greer Garson in Blossoms in the Dust. I love her as an actress, I enjoyed her work so why can't I settle for that?

So I can conclude that just like Sally Field in Places in the Heart, I liked and admired Sigourney Weaver in Gorillas in the Mist. Although I saw the dedication and her commitment to her character, somehow she never really won me over completely, which is extremely unusual for me with a performance by Siggy. She shows the passion and the development of her character wonderfully, she doesn't go too much over the top, except for some scenes.

What do you think? (The rating seems low, I know, but I have to be less generous with my Meryls, earlier this would have been an easy 4). 

Tuesday, June 26, 2012

The Next Year

1988


So the nominees were:
  • Glenn Close in Dangerous Liaisons
  • Jodie Foster in The Accused
  • Melanie Griffith in Working Girl
  • Meryl Streep in A Cry in the Dark
  • Sigourney Weaver in Gorillas in the Mist
Continuing a Streepathon celebrating Meryl's third, a year with three previous winners of mine and two ladies I haven't yet reviewed. Great Glenn seems to be the odds-on favorite to win here but let's see if I'll jump on the Meryl bandwagon like many of my fellow bloggers or pick someone else. :)

What do you think? Who's your pick? What's your prediction for my ranking? :)

Sunday, June 19, 2011

The Final Conclusion - Best Actress 1986

1986


So the much anticipated ranking is:

I thought I'd like her more and yet I feel quite disappointed. When I started writing, I thought I was impressed but after taking a closer look at this performance, I found Kathleen Turner less than satisfying in Peggy Sue Got Married. This works looks really good on the outside but there are big problems that cannot be overlooked. Still, an enjoyable performance.

Although I feel that Spacek is really great as Babe Magrath, I think that this is not a fantastic or mindblowing performance and it's not one of Sissy's best. I really liked it and enjoyed all of the scenes but I feel that Sissy could do way better. She got everything out of this character that she could, it's just that I felt that she had way better works. Still, she's great.

This is great work by Marlee Matlin who didn't make Sarah the "ordinary disabled character" but she played her as a real human being instead. She beautifully portrayed all of Sarah's emotions and this was really a beautiful performance. Excellent, thought-provoking work. A bit incoherent, but otherwise great.

This is a fantastic performance by the amazing Jane Fonda. I know I'm not supposed to like this work that much and I might be biased but I was really blown away by Jane's work as Alex Sternbergen. This character is over-the-top and she's almost like an animal and yet Jane made me care about her and think about her.

Sigourney Weaver is astonishing in Aliens giving not only the best action performances but also one of the most memorable performances evers. She's a real treat not only for Oscar maniacs but also for film buffs and everyone else on this planet. Sigourney created a beautiful, wonderful, strong character that is for the ages. It's really fantastic work by an amazing actress.

So I can proudly announce
that the winner is...
Sigourney Weaver
in
Aliens
Get away from my Oscar, you BITCH! :)

Congrats to Fritz on his great predictions! :)
The prize: Fritz can pick the next year that I'll do after the next one. :)

Final thoughts: Not a great, but a VERY interesting year. I truly-truly loved doing it. Siggy Weaver had an easy win and I expected it. I LOVED Jane as always, I think if The Morning After had been better, she could have rivalled Siggy. I liked the others very much, too, especially Marlee even though I feel I overrated her initially. Sissy was very good but somehow I didn't like her as much as I usually do. Still, I liked her. As expected, Kathleen Turner was the weakest link. It's not that I didn't give her a chance, she was just the weakest one, that's all. But what I loved the most is that you seemed to be really interested in this year and I was incredibly happy that we could discuss so much. Thanks, again.

About the next year: You seemingly like less discussed years, so the next two ones will be two of them. I know I solemnly promised to do 2003 but I'll still have to wait for In America. I won't make any more promises about when I'll do that year. I'll do my best. However, there are clues about our next year:
  • This is one nutty hospital.
What do you think?

Thursday, June 16, 2011

Sigourney Weaver in Aliens

First, I'd like to say how honored I am to celebrate the first anniversary of my Best Actress reviews with an analysis of a performance that is as iconic as...

Sigourney Weaver in Aliens for which she received her very first Oscar nomination in the Best Actress category. First, I am so shocked. Really, I wouldn't expect such a performance to be nominated in the Best Actress category. I mean, iconic action performances have never been among the favorites of the Academy. However, the Academy made one of the best decision when they nominated Sigourney for Aliens, a smash hit sci-fi. I guess the fact that the movie was such a great success (it received six other noms and won two of them). I think Sigourney may have got close to the actual win despite the fact that all the other performances were more Oscar-friendly. I feel she was at least third in the voting.

Aliens used to be my favorite movie ever, when I was about 11-12 years old. I was so crazy about it and I was crazy in love with Sigourney herself. I could go on telling funny and a bit cheesy stories about this movie (and the first Alien) but I guess I don't need to. For me, Aliens meant cinema. Everything that's great about it, emotion, action, scariness and above all, iconic characters. James Cameron's stories are the most unoriginal ones one could ever imagine and yet they work so fabulously on the screen. He just knows how to entertain people. I guess he once opened Pandora's box and found the secret of entertainment.

Sigourney Weaver, as I said, is someone I was once really in love with. However, I haven't seen enough of her works, I think. There are so many of her movies that I'd very much love to see and yet I don't get round to watching them. Too bad, as I think that she's one of the greatest actresses that we have today and I'm really hoping for a great comeback for her on the big screen. She just deserves way more than You Again. And she should really get an Oscar once. I thought that she would get it for Prayers for Bobby (that seemed so baity) and when I realised it was made for TV, I was in shock. So, she's in need of a great role, plus I'm really looking forward to the time when she'll play Miss Marple (as she wishes to)

If you search for lists about the most iconic characters of all time, you'll most definitely see Ellen Ripley among them (very often in the Top 10). By creating her, Sigourney Weaver also created a brand new character for the screen, the tough but sensitive heroine who's willing to fight and never gives up. I couldn't imagine any of the movies like Kill Bill had it not been for Sigourney Weaver's performance in the Alien movies even if the moviemakers don't think about Ripley that much. In short, Sigourney Weaver made history.

The very essence of Ellen Ripley (in my opinion) is best displayed in Aliens. In Alien, she's a scream queen and she may not even be the lead there. Ripley becomes a more layered and important character in Aliens. The development that she goes through is quite extraordinary for a sci-fi and Sigourney plays all the changes just brilliantly. At the beginning of the movie, Ripley is a hardened, bitter woman suffering from her own demons. All her fears are exceptionally portrayed. We really believe that this woman is suffering from all the events of her past and she's quite disturbing in some of the scenes. However, as I said, Ripley is a person who's willing to fight and she decides to fight her own fears by going back to the place where all the torture began.

Once she gets back to LV-426, Ripley becomes even more determined to act and destroy the aliens. However, a radical change comes in Ripley's life when she gets to know a little girl, Newt who wakes up Ripley's motherly instincts. And Sigourney is surprisingly touching in her scenes with Newt. She shows Ripley's love for Newt in a really moving way. In the director's cut this aspect of the movie becomes even more significant and understandable but I try not to think about that as she was nominated for the theatrical cut. All in all, Ellen's almost mother-daughter relationship with Newt is the most beautiful thing about this otherwise ugly and gruesome movie.

Moreover, I loved how feminine Sigourney made Ripley. On the outside, she has short-haired and talled. She's seems to be a really tough person. Inside, however, she's a really emotional, gentle human being full of love and the dedication. She's a real woman and Sigourney lets us see Ripley's real beauty which is inside the sexy looks. Ripley's beauty comes from her love and care and Sigourney shows Ripley's inner beauty just like a flower blossoms. It's just wonderful to see her in all of the scenes and you really cannot take your eyes off the screen. Sigourney's presence is really magnetic and I always wanted to see her and her. Very much like Michelle Pfeiffer (the other Oscarless huge star of the 80s) in The Fabulous Baker Boys, when Sigourney is not on the screen, we don't mind as her presence is so luminous that it lasts until she comes back. And unlike Kate Winslet in Titanic, Sigourney is never overshadowed by the stunning visual effects and the great directing of James Cameron.

To sum up things, Sigourney Weaver is astonishing in Aliens giving not only the best action performances but also one of the most memorable performances evers. She's a real treat not only for Oscar maniacs but also for film buffs and everyone else on this planet. Sigourney created a beautiful, wonderful, strong character that is for the ages. It's really fantastic work by a brilliant actress, in a brilliant movie.

What do you think, dear readers?

Wednesday, June 15, 2011

The Next Year

1986


So the nominees were:
  • Jane Fonda in The Morning After
  • Marlee Matlin in Children of a Lesser God
  • Sissy Spacek in Crimes of the Heart
  • Kathleen Turner in Peggy Sue Got Married
  • Sigourney Weaver in Aliens
This year is never talked about. OK, almost never. So it will be really interesting. I can barely wait.

What do you think? What's your ranking? What do you predict for my ranking?

Note: I know I posted 2003 already but it turned out that I have to wait a little bit more for In America, so I'm really sorry. I solemnly promise to do that year as soon as I can! I decided to pick 1986 because all the movies were readily available for right now. Sorry again.

The requested years that I've had: 1938, 1945, 1970, 1971, 1981, 1986, 1987, 1988, 2001, 2004, 2005, 2008. From these, 1938, 1945 and 1970 fall into the almost impossible category (1970 is the most likely). 1981 and 1987 could happen but I have to get Anna and Only When I Laugh somehow. However, I'll probably have access to all of the movies of the other years.