Sunday, November 13, 2011

Hello there!

As you may or may not know, I have this other blog (Filmlandia) to which I seldom write, however I found a subject that I really wanted to write about and I didn't want to write it here. That was Jane Fonda's performance in The Dollmaker. I would be delighted if you checked out (or even comment on) my review about Jane in The Dollhouse!

Note: I'll start 1955 either tonight or tomorrow, it depends. So stay tuned! :)

Friday, November 11, 2011

The Next Year

1955


So the nominees were:

  • Susan Hayward in I'll Cry Tomorrow
  • Katharine Hepburn in Summertime
  • Jennifer Jones in Love Is a Many-Splendored Thing
  • Anna Magnani in The Rose Tattoo
  • Eleanor Parker in Interrupted Melody

What an interesting, rarely talked about year, just the way I like it. I only saw Anna before so four performances will be completely new to me. :) I can't wait!

My ranking of the nominees so far...

  1. Jane Fonda in Klute
  2. Diane Keaton in Annie Hall
  3. Ingrid Bergman in Autumn Sonata
  4. Emily Watson in Breaking the Waves
  5. Sophia Loren in Two Women
  6. Elizabeth Taylor in Who's Afraid of Virginia Woolf?
  7. Vivien Leigh in Gone with the Wind
  8. Liza Minnelli in Cabaret
  9. Michelle Pfeiffer in The Fabulous Baker Boys
  10. Kate Winslet in Eternal Sunshine of the Spotless Mind
  11. Audrey Hepburn in The Nun's Story
  12. Jane Fonda in They Shoot Horses, Don't They?
  13. Jane Fonda in Coming Home
  14. Natalie Portman in Black Swan
  15. Charlize Theron in Monster
  16. Audrey Hepburn in Breakfast at Tiffany's
  17. Halle Berry in Monster's Ball
  18. Sissy Spacek in In the Bedroom
  19. Leslie Caron in The L-Shaped Room
  20. Brenda Blethyn in Secrets and Lies
  21. Barbara Stanwyck in Double Indemnity
  22. Penélope Cruz in Volver
  23. Liza Minnelli in The Sterile Cuckoo
  24. Judy Garland in A Star is Born
  25. Anne Bancroft in The Miracle Worker
  26. Bette Davis in What Ever Happened to Baby Jane?
  27. Sissy Spacek in Coal Miner's Daughter
  28. Sigourney Weaver in Aliens
  29. Jennifer Jones in The Song of Bernadette
  30. Ellen Burstyn in Resurrection
  31. Liv Ullmann in Face to Face
  32. Gena Rowlands in A Woman Under the Influence
  33. Julianne Moore in Far from Heaven
  34. Bette Davis in The Little Foxes
  35. Glenda Jackson in A Touch of Class
  36. Kathy Bates in Misery
  37. Diane Lane in Unfaithful
  38. Jane Fonda in Julia
  39. Joan Fontaine in Rebecca
  40. Anna Magnani in Wild is the Wind
  41. Sissy Spacek in Carrie
  42. Helena Bonham Carter in The Wings of the Dove
  43. Frances McDormand in Fargo
  44. Fernanda Montenegro in Central Station
  45. Michelle Williams in Blue Valentine
  46. Jane Fonda in The Morning After
  47. Ellen Burstyn in The Exorcist
  48. Barbara Stanwyck in Sorry, Wrong Number
  49. Katharine Hepburn in Long Day's Journey Into Night
  50. Geraldine Page in Interiors
  51. Ellen Burstyn in Alice Doesn't Live Here Anymore
  52. Annette Bening in Being Julia
  53. Maggie Smith in The Prime of Miss Jean Brodie
  54. Isabelle Adjani in The Story of Adele H.
  55. Julie Christie in McCabe & Mrs. Miller
  56. Natalie Wood in Splendor in the Grass
  57. Imelda Staunton  in Vera Drake
  58. Catalina Sandino Moreno in Maria Full of Grace
  59. Jean Simmons in The Happy Ending
  60. Julie Andrews in Mary Poppins
  61. Julie Walters in Educating Rita
  62. Judi Dench in Notes on a Scandal
  63. Cate Blanchett in Elizabeth
  64. Katharine Hepburn in Suddenly, Last Summer
  65. Simone Signoret in Room at the Top
  66. Glenda Jackson in Sunday Bloody Sunday
  67. Kim Stanley in Seance on a Wet Afternoon
  68. Pauline Collins in Shirley Valentine
  69. Irene Dunne in Love Affair
  70. Meryl Streep in The Devil Wears Prada
  71. Meryl Streep in Julie & Julia
  72. Elizabeth Taylor in Cat on a Hot Tin Roof
  73. Patricia Neal in Hud
  74. Ingrid Bergman in Gaslight
  75. Mary McDonnell in Passion Fish
  76. Catherine Deneuve in Indochine
  77. Meryl Streep in Silkwood
  78. Faye Dunaway in Network
  79. Anne Bancroft in The Pumpkin Eater
  80. Meryl Streep in Postcards from the Edge
  81. Jessica Lange in Music Box
  82. Lynn Redgrave in Georgy Girl
  83. Jennifer Lawrence in Winter's Bone
  84. Goldie Hawn in Private Benjamin
  85. Claudette Colbert in Since You Went Away
  86. Carey Mulligan in An Education
  87. Renée Zellweger in Bridget Jones's Diary
  88. Barbara Stanwyck in Ball of Fire
  89. Gabourey Sidibe in Precious: Based On the Novel Push by Sapphire
  90. Judi Dench in Mrs Brown
  91. Irene Dunne in The Awful Truth
  92. Geraldine Page in Sweet Bird of Youth
  93. Emma Thompson in Howards End
  94. Greer Garson in Mrs. Parkington
  95. Susan Sarandon in Lorenzo's Oil
  96. Olivia de Havilland in Hold Back the Dawn
  97. Mary Tyler Moore in Ordinary People
  98. Susan Hayward in I Want to Live!
  99. Marsha Mason in The Goodbye Girl
  100. Rachel Roberts in This Sporting Life
  101. Jill Clayburgh in An Unmarried Woman
  102. Diahann Carroll in Claudine
  103. Liv Ullmann in The Emigrants
  104. Doris Day in Pillow Talk
  105. Irene Dunne in I Remember Mama
  106. Helen Hunt in As Good as it Gets
  107. Cicely Tyson in Sounder
  108. Valerie Perrine in Lenny
  109. Bette Davis in Mr. Skeffington
  110. Sophia Loren in Marriage Italian Style
  111. Nicole Kidman in Rabbit Hole
  112. Faye Dunaway in Chinatown
  113. Helen Mirren in The Queen
  114. Kate Winslet in Little Children
  115. Barbara Stanwyck in Stella Dallas
  116. Kate Winslet in Titanic
  117. Jessica Tandy in Driving Miss Daisy
  118. Jane Wyman in Johnny Belinda
  119. Greta Garbo in Camille
  120. Lee Remick in Days of Wine and Roses
  121. Shirley MacLaine in Terms of Endearment
  122. Marlee Matlin in Children of a Lesser God
  123. Dorothy Dandridge in Carmen Jones
  124. Bette Davis in Dark Victory
  125. Anouk Aimée in A Man and A Woman
  126. Geraldine Page in Summer and Smoke
  127. Michelle Pfeiffer in Love Field
  128. Jane Wyman in Magnificent Obsession
  129. Louise Fletcher in One Flew over the Cuckoo's Nest
  130. Annette Bening in The Kids Are All Right
  131. Piper Laurie in The Hustler
  132. Deborah Kerr in Separate Tables
  133. Luise Rainer in The Good Earth
  134. Diane Keaton in Something's Gotta Give
  135. Ida Kaminska in The Shop on the Main Street
  136. Debra Winger in Terms of Endearment
  137. Greta Garbo in Ninotchka
  138. Maggie Smith in Travels with My Aunt
  139. Marie-Christine Barraul in Cousin Cousine
  140. Carol Kane in Hester Street
  141. Keisha Castle-Hughes in Whale Rider
  142. Audrey Hepburn in Sabrina
  143. Anne Bancroft in The Turning Point
  144. Shirley MacLaine in Some Came Running
  145. Julia Roberts in Pretty Woman
  146. Helen Mirren in The Last Station
  147. Olivia de Havilland in The Snake Pit
  148. Jane Alexander in Testament
  149. Ingrid Bergman in Joan of Arc
  150. Katharine Hepburn in The Philadelphia Story
  151. Greer Garson in Blossoms in the Dust
  152. Joan Fontaine in The Constant Nymph
  153. Marsha Mason in Cinderella Liberty
  154. Anjelica Huston in The Grifters
  155. Isabelle Adjani in Camille Claudel
  156. Sissy Spacek in Crimes of the Heart
  157. Nicole Kidman in The Hours
  158. Elizabeth Taylor in Raintree County
  159. Elizabeth Taylor in Suddenly, Last Summer
  160. Natalie Wood in Love with the Proper Stranger
  161. Vanessa Redgrave in Morgan: A Suitable Case for Treatment
  162. Janet Suzman in Nicholas and Alexandra
  163. Nicole Kidman in Moulin Rouge!
  164. Greer Garson in Goodbye Mr. Chips
  165. Ingrid Bergman in For Whom the Bell Tolls
  166. Joanne Woodward in Summer Wishes, Winter Dreams
  167. Judi Dench in Iris
  168. Jean Arthur in The More the Merrier
  169. Janet Gaynor in A Star is Born
  170. Barbra Streisand in The Way We Were
  171. Diane Keaton in Marvin's Room
  172. Kristin Scott Thomas in The English Patient
  173. Shirley MacLaine in The Turning Point
  174. Ginger Rogers in Kitty Foyle: The Natural History of a Woman
  175. Greer Garson in Madame Curie
  176. Joanne Woodward in The Three Faces of Eve
  177. Glenda Jackson in Hedda
  178. Rosalind Russell in Auntie Mamie
  179. Julie Christie in Afterglow
  180. Kathleen Turner in Peggy Sue Got Married
  181. Diana Ross in Lady Sings the Blues
  182. Joanne Woodward in Mr. & Mrs. Bridge
  183. Meryl Streep in One True Thing
  184. Joan Fontaine in Suspicion
  185. Geneviève Bujold in Anne of the Thousand Days
  186. Grace Kelly in The Country Girl
  187. Ellen Burstyn in Same Time, Next Year
  188. Deborah Kerr in Heaven Knows, Mr. Allison
  189. Shirley MacLaine in Irma La Douce
  190. Lana Turner in Peyton Place
  191. Vanessa Redgrave in Mary, Queen of Scots
  192. Debbie Reynolds in The Unsinkable Molly Brown
  193. Emily Watson in Hilary and Jackie
  194. Bette Davis in The Letter
  195. Martha Scott in Our Town
  196. Sandra Bullock in The Blind Side
  197. Talia Shrie in Rocky
  198. Hilary Swank in Million Dollar Baby
  199. Gwyneth Paltrow in Shakespeare in Love
  200. Naomi Watts in 21 Grams
  201. Samantha Morton in In America
  202. Gena Rowlands in Gloria
  203. Renée Zellweger in Chicago
  204. Salma Hayek in Frida
  205. Ann-Margret in Tommy

Thursday, November 10, 2011

The Final Conclusion - Best Actress 2004

2004


So the much anticipated ranking is:

What could Hilary do in this movie, where a great actress like Margo Martindale becomes a caricature? Nothing, but remaining what the screenplay intended her to be: a cliché, nothing more than that. She does the Oscar scenes the way she's supposed to, she's easy to sympathize with so what else can I ask for? Truth and honesty, no cheap, shallow emotions.

I'm saying that I was once again impressed by Catalina's screen debut as Maria. She played this character with lots of dedication and confidence, while avoiding the obvious traps. She never becomes 'obvious' in her acting, totally identifies with her character and develops her wonderfully. I can only praise her for her incredible, extremely heart-breaking performance.

Pure delight! Annette's performane as Julia reminded me of Pauline Collins in Shirley Valentine. It may not be a huge dramatic achievement but she's so delightful and I was so in love with the character that I couldn't get enough of her. She took this wonderful part and turned it into a fascinating, wonderful creation that's incredibly delightful.

After all, I can't say anything negative about Imelda Staunton as Vera Drake. Although I don't love her as much as I used to, I still find her simply fantastic. She completely became this character and wonderfully played with the emotions. The way Imelda reveals all the layers of Vera and creates dramatic tension on the screen is just unbelievably great. Unforgettable, remarkable work.

A no-brainer pick. Honestly, the "Am I ugly?" scene just locked and sealed this win and there was no other way. Kate is just as great as Clementine as people say, if not better. She evokes all the great feelings of Diane Keaton's Annie Hall without shamelessly copying her. Kate's Clementine is an utterly fascinating, unique creation bursting with creativity. Kate solved her task flawlessly and she deserves nothing but praise for it.

So I can proudly announce
that the winner is...
Kate Winslet
in
Eternal Sunshine
of the Spotless Mind
There you go, Wonder Woman. :)

Final thoughts: Wonderful year, horrible winner. Really Academy, really? I am stunned by this decision. Didn't they watch the other movies???? Kate was such an easy winner here. Her performance only got better in time. Just like Kate was the winner, Hilary was the no-brainer last but I'm not talking about her anymore. The other three were, however, the hardest to rank. It was incredibly difficult for me. I picked Annette second, she's a real delight here. That must raise some eyebrows but I honestly don't care. I was considering ranking her fourth but I got to a point where I found: hell, I liked her most next to Kate. To be perfectly honest, I would have voted for Annette as an Academy member because she was so great and overdue. OK, she's brilliant, that's it. Imelda and Catalina are pretty much equal for me, therefore their order was kind of random. :)

Omissions: Uma Thurman in Kill Bil Vol. 2.

About the next year: You just never know what can happen. My sudden encounter with this year was a shock and I never thought I could do it. It's gonna be very exciting, with four performances I haven't even seen. Clues:
  • DON'T SPEAAAAAK!
What do you think? Any thoughts on your mind?

Thursday, November 3, 2011

Hilary Swank in Million Dollar Baby

Hilary Swank received her second Best Actress nomination and win for playing Maggie Fitzgerald, an aspiring female boxer in 2004's Best Picture winner, Million Dollary Baby. Hilary Swank wasn't considered a front-runner at the beginning of the awards season as Imelda Staunton or Annette Bening were expected to win their first Oscars. Imelda was the critics' darling, Annette was the industry favorite. And there came the stupid Golden Globes that like to mix up things and give the edge to the stars (see Sandra Bullock) and then the SAG followed because (I guess) they wanted to make up for the Boys Don't Cry loss of Hilary there. These two awards created lots of buzz and in the end, Hilary's second Oscar became inevitable and she became one of the most hated actresses ever to win the award. Many compare this to Sally Field's second win though I think the only similarity between them is that they both won two Oscars from only two nods (by that, you could even compare Hilary to Vivien Leigh so come on...).

Although this was only my second watch of Million Dollar Baby, I felt I've seen it many-many times. In Rocky, The Fighter and the list could go on and on. However, Million Dollar Baby is the worst one of ALL of them. It's obvious, overly sentimental, unoriginal, extremely manipulative and, above all, awful. Yes, in my humble opinion, this choice is one of the worst ones ever made by the Academy. However, it's not Clint Eastwood who's responsible for this. In my book, he's a very good director and the directing is decent in this one but the screenplay and the story is just horrible (the screenwriter also penned Crash, just sayin'). Morgan Freeman won an Oscar but what was exactly worthy about him? His bored narrations or tired looks? Three words: Thomas Haden Church. :)

I admit that Hilary Swank is not among my favorite actresses. I am also quite pissed by the fact that she has not one but two Oscars when great actresses like Barbara Stanwyck, Irene Dunne and Glenn Close (though I hope she wins this year) never received Academy Awards. One just keeps wondering about the absurdity of Hilary's two time Oscar-winner status, while such grand dames are Oscarless. It's a real shame, in my opinion. Let's not kid ourselves: Hilary Swank is an obviously limited performer. She's good at playing masculin women but apart from that I cannot really imagine her in other roles. Also her very obvious campaigning and Oscar baiting is something very annoying to me (in many ways, she's like Melissa Leo).

Because of the above mentioned things, it's become quite chic and trendy to hate Hilary's second win for Million Dollar Baby. But does that apply to her actual performance? I've seen tons of people hating her for winning but that's mostly due to the fact that she won her second over Annette Bening and Kate Winslet. However, basically nobody talks about her actual work in Million Dollar Baby. To tell the truth, I didn't have much recollection of her work before I rewatched her.

Working from a terrible script, Hilary doesn't really have much of a chance to shine, in my opinion. Sure, there are the Oscar scenes but I don't see any real depth or emotion in them, just clear manipulation. On the outside, this role is a dream though it needs lots of hard work and dedication from the actress that I've actually seen from Hilary and yet the shallowness of the character didn't let her show what she could have done with the part. Maggie Fitzgerald is a moving cliché, much like everyone in the movie. The movie wants to make us believe that her development is real, however, I don't see any development in her at all. Even when her dream comes true, Maggie remains the very same person who's really not transformed by her success. The elliptic story of Million Dollar Baby really hurts this character and Hilary as she doesn't have the opportunity to develop her own character. Once we see her struggling and living a miserable, poor life and twenty minutes later, she's fighting at a championship. We see Maggie only as "a girl from a trailer park who has a dream".

Hilary's Oscar speech was particularly annoying to me as (after beating four way more deserving, fantastic performances from great actresses) she emphasised her cheesy sentence. "I'm just a girl from a trailer park who had a dream." Obvious and totally tasteless, she accepted in the manner of Maggie Fitzgerald. And you don't get much else from her work, either, only cheesy, "seen that, heard that, been there, done that" monologues delivered with a very annoying accent.

The movie's (and Swank's) obvious aim was to make us sympathise with Maggie and strangely enough, despite what I previously said, she succeeded on many levels. It's impossible not to feel for Maggie when we see her eating other people's leftovers and running at the beach, chasing her own dream. I admit being moved by her once or twice but I just felt so cheated, too. It was like "yeah, yeah, fine but not enough to win me over".

But again: what could Hilary do in this movie, where a great actress like Margo Martindale becomes a caricature? Nothing, but remaining what the screenplay intended her to be: a cliché, nothing more than that. She does the Oscar scenes the way she's supposed to, she's easy to sympathize with so what else can I ask for? Truth and honesty, no cheap, shallow emotions. I might be difficult to please (though I don't think so) but this performance made me angry for many reasons and never because won the Oscar over the brilliant other nominees.

What do you think?

Tuesday, November 1, 2011

Catalina Sandino Moreno in Maria Full of Grace


Catalina Sandino Moreno received an Oscar nomination for her debut performance as Maria Alvaret, a pregnant teenager who becomes a drug mule to provide for her family. Her nomination might have come as a surprise but I think it was a richly deserved one. Naturally, she didn't have much chance of winning, but they must have really liked her as she did receive the nomination after all. In her case, the nomination really was the reward and I guess it was more than anyone in her case would have dreamed of. I mean a first-timer Colombian actress rarely receives Best Actress nomination. Catalina's and Kate's nod prove that the Academy members were at the top of their game (in terms of the Best Actress nominations, not the actual horrible other nominees and winners).

Maria Full of Grace is a very interesting and raw movie, which had real emotional depth and something to say. Its atmosphere is somewhat similar to Central Station (though the two movies are quite different). I think I might even give it a Best Picture nomination (it's most certainly better than 80% of the Best Picture nominees). The directing is excellently done, you never feel that the movie is boring or that it has useless parts. The casting is so great and I particularly appreciated that they found very realistic characters.

It's a very dangerous thing to be nominated for your screen debut. You either get more and better roles or you ruin your whole career simply by trying to live up to the hype of your celebrated introduction. Sometimes, it really works out (just see Goldie Hawn or Barbra Streisand), but sometimes the actor disappered in a blink or have to work in second-rate tv series (Marlee Matlin or Timothy Hutton). Although her nomination came almost seven years ago, I still don't know which group Catalina belongs to. The energy of her work carried her to the Kodak Theater and yet I feel that she doesn't get good enough projects for her talent.

That being said, I'm about to assess Catalina's performance as Maria Alvarez, the desperate young girl, who becomes a drug mule. Just yesterday, I was raving about Imelda Staunton's heart-breaking realism as Vera Drake, a woman who does illegal things out of pure kindness and care. Maria, however, is in need of some money and she's just desperate to get a job. Both characters commit crimes, both are aware of the possible consequences and yet they do what they feel is right for them.

Catalina doesn't have the same amount of emotional scenes that Imelda gets as Vera Drake, she doesn't get caught (well, almost), she doesn't have breakdowns, courtroom scenes and yet there's something wonderfully wrenching about her work. From the beginning, I felt a kind of connection to her character and I really cared about her. She made Maria a fairly likeable person, someone who's very easy to sympathize with. I instantly developed a connection to her and wanted things to work out for her. It's very heart-breaking to see her very poor surroundings. Maria is used to doing some hard work and she's not afraid of talking back and stand up for herself. Although these scenes are excellently played by Catalina, I'd say they are the least memorable ones of all. Her bit rebellious teenager attitude is not the most interesting aspect of Maria.

Once Maria becomes a drug mule, the tone of Catalina's whole performance changes. It becomes extremely fierce and brutally raw, especially when she's practising how to swallow the pellets. There's something deeply heart-breaking about those moments. The scene where her plane to New York takes off and she holding on to her cross is just unbelievably great. Religion is a comfort for the character of Maria and somehow she develops a strange resemblance with the Virgin Mary. Both of them are teenagers (yes, the Virgin Mary was also a teenager, despite what you see in 50s Hollywood epics :P) who have to make sacrifices and accept what they have to do. The religious symbolism of this movie and Catalina's performance is just wonderfully solved and far from being forced or obvious.

The way Catalina develops Maria is also quite remarkable and especially from a first-timer. I felt lots of confidence in Catalina and she wonderfully showed the steps of Maria's growing up. She starts out as a desperate teenager and in the end, she turns out to be a grown, more responsible woman. There's only one louder scene involving her and she nailed that one, too. She never went too over-the-top and she made me realise one thing as she was crying: this girl is seventeen years old and is forced to do thing that not even adults should do. It's a deeply harrowing scene which has its effect mostly by how sudden and unexpected it really is.

So after all, I'm saying that I was once again impressed by Catalina's screen debut as Maria. She played this character with lots of dedication and confidence, while avoiding the obvious traps. She never becomes 'obvious' in her acting, totally identifies with her character and develops her wonderfully. I can only praise her for her incredible, extremely heart-breaking performance.

Monday, October 31, 2011

Imelda Staunton in Vera Drake

Imelda Staunton received her only Best Actress nomination to date for playing the title role of Vera Drake, a charming, incredibly helpful woman who "helps young girls out". Imelda Staunton was pretty much the critics' darling during the awards season. It was a big upset when she lost the Golden Globe to Hilary Swank and what once seemed to be a two-way race between Imelda and Annette Bening, turned out to be the time for Hilary Swank to repeat. I guess the other two nods for Vera Drake show that the Academy did fall for this film though I think Imelda wasn't famous enough to get ahead of Annette.

Vera Drake is an excellent piece of work by Mike Leigh though it's not perfect and I felt that sometimes it was a tiny bit obvious and didn't trust its audience enough. Other than that, it's a wonderfully written and directed film (very deserving of both nomination) that really made me cringe once or twice. Although it's not as devastating as Secrets and Lies, it's actually quite close to it. I was very impressed by the performances in this film and it was wonderful to see Mike Leigh's usual actors in very different parts.

Vera Drake is an incredibly lovely woman. You can only see her helping other people and from what we see from her, she's extremely unselfish, very loving, generous and giving. She bursts with energy and kindness, she just enlightens the mood of those close to her. I think Imelda Staunton, with her rosy cheeks and little chubby face, was the perfect choice to play this part. Vera is an incredibly simple woman and if they had given her role to a glamourous superstar, the result wouldn't have been half as effective and harrowing.

You may or may not rememember how much of a hyper I was about this performance. The first time I saw her, I was just amazed and totally chilled by this very emotional work and couldn't love her more. I was utterly surprised to find out that some of that huge amount of appreciation has disappeared. I often wonder why thos things happen. I see the very same work, the same way (if that's possible) so what could be different now? Easy: me. One of the great things about these reviews is that it constantly makes me reevalute my opinions and thoughts about a certain performance. If you would have told me two and a half years ago that I would incredibly dislike Joanne Woodward and be madly in love with Kate Winslet, I wouldn't have believed it. So it was timely to revisit this old favorite of mine.

I'm not saying anything bad about Imelda's work as Vera Drake as I still find it fantastic and amazing. The way she took this person and made totally her own is just unbelievable. Every time I want to write Imelda, I always start typing Vera. That tells a lot about how well Imelda identified with this character. In the beginning, we see her constantly smiling and humming cheerful songs and this spirit keeps up even when Vera is performing one of the abortions. Vera is incredibly calm and Imelda is so subtle in her acting.

Vera is an incredibly interesting character because of all the depths and layers inside her. Imelda was able to show so much of them and as a result, we got a brutally realistic human being. Vera herself doesn't think of her acts as abortions, she just says that she helps young girls out so that they can "get back their bleeding". For her there's no moral dilemma that holds her back as she's 100% certain that she's doing the right thing and helps these desperate women. There's something so soothing and yet very sinister about her character. You can see both an angel of mercy and a devil on earth. But which one is stronger in Vera? Imelda (and the movie) was clever enough to let the viewers decide for themselves.

The harmony of Vera's life is over when she's arrested for endangering the life of one of the girls. The change in the performance (and the movie) is so radical that it has an incredible dramatic effect. Suddenly Vera becomes a frightened anima, her wide smile disappears. Imelda is wonderful in the scene where Vera realises that the police came for her. She's acting only with her face and it was just unbelievable. She has numerous breakdowns and Imelda's cheerful presence turns out to be something really brutal and harrowing. She's quite simply amazing at the police station and courtroom scenes. She doesn't miss any of the opportunities and she constantly surprised me with her unusual choices. Imelda never went over-the-top with Vera and I always felt that it was the right way to play the reactions of Vera.

So after all, I can't say anything negative about Imelda Staunton as Vera Drake. Although I don't love her as much as I used to, I still find her simply fantastic. She completely became this character and wonderfully played with the emotions. The way Imelda reveals all the layers of Vera and creates dramatic tension on the screen is just unbelievably great. Unforgettable, remarkable work.

What do you think?

Saturday, October 29, 2011

Annette Bening in Being Julia

Poor Annette Bening, I seriously feel sorry for her. She has been so close to winning the Oscar three times at least (you might argue about her first nomination). Every time she turned on a performance to which people said she was going to win the Oscar, along came a younger actress with a showier, flashier and bigger performance and crashed Annette's Oscar hopes. Natalie Portman's win was much better received than Hilary Swank's second. Basically, the sometimes immense hate thrown against Swank might come from the fact that she beat poor Annette twice, who was (in my opinion) the runner-up both times.

Being Julia, in my opinion, is a delightful, wonderful movie. Although it's not among István Szabó's best works, it's extremely entertaining and very well-made. I enjoyed each and every moment of it, maybe partly to the nice memories that I have from the time it was released. When the movie had its premiere here in Hungary at the oldest movie theater, the media was crazy about the fact that Annette Bening came to us and there were even reports about what she had for dinner (!). A couple of months later, she was nominated for the Oscar. The hysteria went on and it became a sort of patriotic duty to be rooting for Annette Bening's win. At the time of the show, the commentators didn't even hide their disappointment when she lost. (I think something similar will happen with The Door and Helen Mirren).

I'm not a big fan of Annette Bening for one simple reason: I haven't seen enough of her movies. I'm only acquainted with her Oscar-nominated performances and most especially The Kids Are All Right, which I was extremely amazed by for the first time and yet for a second time I was kind of underwhelmed. But from what I saw of her, I've really started to like her and now I truly, sincerely wish that she won an Oscar. I hope it happens once. Personally, if she had a great supporting role, she would instantly win (that's the same thing I think about Sigourney Weaver).

Although some people write Annette's performance as Julia Lambert off as a desperate attempt to recreate Margo Channing, I'd say that's the worst interpretation of this character. Unlike Margo, Julia is not bitter and sarcastic, but extremely self-confident and sharp. Naturally, the bitchy, divaish quality is in both of them (that makes them both irresistable) and yet I would say that Julia is more positive and optimistic. She's an eccentric, larger-than-life creation and yet there's something irresistably human about her. She bursts with energy and talent and who better could play her than Annette Bening, a truly energetic and talented actress.

Julia Lambert is the greatest star of the London stage and she constantly lives up to her status as the most distinguished actress. She's a star and a diva in the best sense of the word and she's just unbelievably awesome at the different areas of life. I love her wonderful, delicate bitchiness in the scene where a snobbish woman asks her if her father was a doctor in Jersey. I won't say her answer, only that it's probably the most priceless moment of the movie.

However, at the beginning of the movie, we see Julia as someone, who's tired and fed up with her life and has very theatrical breakdowns to her friends. I loved the monologue she said to her friend and admirer at the restaurant. It all seems very exaggerated and theatrical and yet it somehow works incredibly. It's like she was acting on the stage and she was working for the applause and appreciation of the audience. Strangely enough, I myself almost started to clap many times while I was watching the film. Annette was able to create to divine presence of a distinguished stage actres, who's so blisteringly brilliant and dignified that you're tongue-tied whenever you see her. The same goes for Annette: she makes the impression of a wonderful actress while seeming incredibly effortless. I just kept wondering at how wonderful she is

Julia is a very dangerous character as any false note would have ruined the performance. However, Annette found the perfect balance. Naturally, it's very colorful and over-the-top work, but Annette knew when to hold back and when to be loud. I would say there are no flaws in this performance, except for the fact that I wanted to see even more of her. She was so good and enjoyable that I couldn't get enough of her. In each and every moment, I was delighted by her presence and wonderul persona. That big revenge scene in the end is, again, priceless.

Annette's performane as Julia reminded me of Pauline Collins in Shirley Valentine. It may not be a huge dramatic achievement but she's so delightful and I was so in love with the character that I couldn't get enough of her. She took this wonderful part and turned it into a fascinating, wonderful creation that's incredibly delightful.
What do you think?

Sunday, October 23, 2011

Kate Winslet in Eternal Sunshine of the Spotless Mind

Kate Winslet received her fourth Best Actress nomination for playing Clementine, a "fucked-up girl who's looking for her own peace of mind" in the movie Eternal Sunshine of the Spotless Mind. Wow, many have said this but it's true: Kate Winslet's performance as Clementine is the kind of work that's usually snubbed by the Academy and many uproar afterwards because of this snub. That's what happened for instance with Sally Hawkins. However, the Academy had a very good period, I guess and they nominated this very unusual piece of work. I feel, though, that Winslet was probably only fourth in the voting though nowadays most people would actually give her the win. It's more than satisfying to see her get recognised.

Eternal Sunshine of the Spotless Mind is a fascinating, original movie that doesn't stop amazing me with its witty and yet incredibly heart-breaking story. It once again shows how stupid the Golden Globes are that they nominated this movie as a Comedy. The Oscar for the Best Original Screenplay is one of the most deserved one ever to be given out (I can only think of Annie Hall, Hannah and her Sisters and Chinatown that are as good as this one). And in my humble opinion, Jim Carrey was cheated out of the nod (once again) as he was more deserving than 60% of the field. But I can mention the wonderful supporting cast as well. They are all memorable.

Recently, I have developed a huge crush on Kate Winslet. You know, she's a wonder woman (figuratively and literally, too since that fire in September) who shows greatness in each of her roles. Every time she injects an astonishing amount of talent into her role and she's so incredibly versatile. I can only think of Jane Fonda who's as versatile as Kate. For Kate, it's no big deal to play a Nazi guard after an unhappy housewife or the self-sacrificing Mildred Pierce before the drunken, constantly puking wife in Carnage. The unusual, strange role of Clementine Kruczynski fits perfectly into that group. Kate's self-admittedly looking for very different part and that's something that I admire most about her.

Her role as Clementine is said to be Kate's personal favorite and this work of hers has a huge amount of fans among movie buffs and Oscar fans. Why exactly? I would say because she creates a modern day Annie Hall, a girl who's so easy to fall in love with. Clementine is not a huge beauty, she's not very kind, she's weird, she's imperfect and yet so irresistable that you just feel it's completely appropriate that Jim Carrey's Joel cannot (and doesn't want to) forget her. However, Kate's part is far from being that "easy". Actually, she plays two Clementines (to perfection). One of them is the real Clementine we get to see after she erases her boyfriend from her mind. The other one exists in Joel's mind and I dare say she's probably even more fascinating than the real one.

It's always very hard to play such a tricky character because you can never rely on the reality or your mind. You have to really listen to your own instincts that tell you how to play that person. I feel that Kate's instincts worked wonderfully in this case. She has no big dramatic scenes, no huge, showy breakdowns, she just has to work with her charm and wit. She wonderfully shows how outspoken and sometimes annoying this character can be and she's never afraid of making her really unlikeable. The funny part of her performance is really nailed by her: she shows Clementine as a weird girl and yet she never seems to be an idiot or stupid. Kate wonderfully found the balance in this aspect. She shows so many sides and faces of this character. She's selfish, she's loving, she's loud, she's quiet, she's beautiful, she's ugly, she's lovely, she's annoying and she basically shows all the features of a human being. Clementine wears her heart on her sleeve and yet there's a mysterious feeling in her. We don't really get to know Clementine's personality and yet what we see is enough to fall for her.

There's a scene around the middle of the movie when Clementine asks Joel if she's ugly. That's probably the most wonderful scene of the whole movie. In the end, Joel says that he doesn't want it to end and the lack of Clementine becomes so incredibly painful. Kate added this irresistable bittersweet feeling of the end that's impossible to forget or even communicate. You just feel heartbroken because of her.

Another thing that I admire about Kate here is that she's so playful while also taking her job extremely seriously. This comes through especially in the scenes when the memory of Clementine and Joel hide in Joel's childhood memories. Kate is so delightful and (again) wonderfully bittersweet. She even gets to play a very small girl and she's so incredibly funny and moving there. I just felt like hugging her or something.

Although Jim Carrey is the real lead in this movie, it's Kate Winslet who makes the movie. She's the heart and soul of it and every little secret of it is in her character. Basically, Clementine becomes a symbol of love and life. She's occasionally hateful, painful and you just want to get rid of her and yet in the end, she makes it all worthwhile. Every tiny movement of hers is sparkling with the creativity of Kate Winslet who's quite simply astonishing here.

This performance has a lot of enthusiastic fans and I'm happy to say that I'm one of them: Kate Winslet is nothing short of brilliant as Clementine Kruczynski, the complicated young woman. She evokes all the great feelings of Diane Keaton's Annie Hall without shamelessly copying her. Kate's Clementine is an utterly fascinating, unique creation bursting with creativity. Kate solved her task flawlessly and she deserves nothing but praise for it.

What do you think?

Saturday, October 22, 2011

The Next Year

2004

So the nominees were:
  • Annette Bening in Being Julia
  • Catalina Sandino Moreno in Maria Full of Grace
  • Imelda Staunton in Vera Drake
  • Hilary Swank in Million Dollar Baby
  • Kate Winslet in Eternal Sunshine of the Spotless Mind
A race with a really unpopular winner and four performances that have tons of fans. We'll see how I'll appreciate these ladies. :)

What do you think? What's your ranking? What's your prediction for my ranking?