The Final Conclusion - Best Actress 2009

We finally got to the end of our reviewed first year, 2009. Actually, many say that this was a truly weak, and of course giving five stars to four performances means that I was deeply satisfied with this year's nominees and had any of the members of my top 3 won, I also would have been satisfied. These ladies prove that you can give a stellar performance no matter what. Stone-cold sober I find these women fascinating (Whom did I quote?:D). Gosh this decision was so painful as I feel really sorry for #2 (especially her) and #3, but in time one of them might become my pick. This is just how I feel at the moment. But I won't let the suspense go on, let's just jump to the ranking:

5. Sandra Bullock in The Blind Side
Although Bullock suffers from an awful screenplay, a predictable movie and a terrible cast, she was still able to give a decent, but not brilliant performance, which was definitelyworthy of winning the Oscar, but was able to save a movie from being a total disaster with the help of Bullock's charm.

4. Helen Mirren in The Last Station
Although I used to way too generous in my rating, I am still very shocked how much people dislike Dame Helen in The Last Station. As Sofya Tolstoya, she was able to give a fine performance which is unfortunately not for everyone (and this might be its biggest flaw), but still amazed me.

3. Gabourey Sidibe in Precious
This is a devastating, moving and heartbreaking piece of work, which is not without flaws, though. Despite Sidibe's inexperience, her performance truly speaks for itself and one just cannot get across Sidibe's greatness, which I hope to see very often in the future.

2. Carey Mulligan in An Education
Mulligan solves everything with grace and amazing naturality, I can't say enough times how great she really is. To sum up, this is a beautiful and really memorable performance by a rising beauty and star, who's sure to become a marvellous and acclaimed actress

1. Meryl Streep in Julie and Julia
Had the movie been only about Julia (and hadn't it been for that dreadful It's Complicated which ruined her chances) Meryl would have easily won her third. She did not, but again she gifted us with a performance which is truly-truly unforgettable and top-class. I felt lucky that I saw her and could experience her greatness.

So I announce that my winner for this year is...

Meryl Streep in Julie and Julia

Bon appétit! Viva Meryl!.

So what do you think about my reviews? Should I go on doing this or am I completely awful? Do you agree with my ranking or do you say Bullock deserved to win? You can also suggest years I should do next, and I tell if it's possible (I have a plan too) .

Carey Mulligan in An Education

Rising talent and future Academy Award winner Carey Mulligan received her first nomination for playing Jenny, a very clever English schoolgirl, who plans to go to Oxford, but eventually falls in love with a much older, but charming man, who turns out to be different from what she thought. Jenny is an well-written character with not as many opportunities as one would think, however Carey Mulligan was able to charm audiences and critics, who often called her the next Audrey Hepburn. After all this is a star-is-born performance with all of its advantages and disadvantages.

An Education is a fairy enjoyable, but also a tiny bit clichéd movie about the 60s and although it seems as if the Organization of Teachers ordered it, you can get something out of it and is worth watching mostly because of the excellent performances of the cast. And here I must underline the performances of Rosamund Pike and Alfred Molina who truly stand out even in the shadow of our rising star. The screenplay is also well-written and of good quality, even though it's a bit conventional.

I really don't get the comparison with Audrey Hepburn as this performance is quite different from what Hepburn did in her movies and also they don't really look like each other. The only common thing between them is probably the subtlety and grace with which they handle their characters. Mulligan created a breathing, truly living character, which cannot be compared to anything we've ever seen. A great actor is known for being unique, and Mulligan has a lot of potential and possibilities to become a leading star.

The first time I saw An Education, I wasn't that impressed by Mulligan as I found nothing challenging or hard about her role. But time has proven me wrong and I was simply mesmerized this time. She handles this character with the dignity of a queen, simply like a great and experienced actress. The way she catches the insecurities of this young girl, the embarassed little giggling, the joy she feels when she gets introduced to this new world. It's actually a fascinating character study, done very wisely and confidently. Actually, it takes some time to completely warm up to it, however, it's still an amazing feat.

Even in the first scenes, we see a hard-working, blooming young girl having a plain and boring life in the 60s. And her transformation could be compared to flowering. Mulligan slowly, but (again) confidently shows all the dimensions of this exciting character which seems one dimensional at first sight. However it is really-really three dimensional, real person.

And again she immediatly wins our simpathy. I was so moved and shocked when I saw the scene when she knows the whole truth. It's probably as close to cathartic as a performance can be. Mulligan's star power can be seen so easily, you really think that this girl was born to do this role. Not to mention the humor she also puts into this performance: Jenny is an ironic girl, but Mulligan never exaggerates this, she perfectly finds the balanced.

Contrary to Gabby Sidibe, here I did not feel that this is her first serious role. Mulligan solves everything with grace and amazing naturality, I can't say enough times how amazing she really is. As I'm going towards the end of this review, I can get the comparison with Audrey Hepburn and I even go further and don't send me to hell immediately: Mulligan's going to be an even better actress as she relies her acting chops way more than her charm.

So, to sum up, this is a terrific, beautiful and even poetic performance by a rising beauty. Who's sure to become a marvellous and acclaimed actress. Fantastic.


Now, we have got to the end. The final conclusion is due tomorrow. I hope you're excited and I'm eager to see your predictions of my ranking. I'm not very sure about it either. :)

Meryl Streep in Julie and Julia

Academy Award Queen Meryl Streep received her record-breaking 16th nomination for playing Julia Child (and lost it to Sandra Bullock, God Almighty!), the legendary American chef, who basically taught America how to cook like the French do. She's tall with a funny voice, she's full of joy and independance, and is a person who enjoys life as much as she can along with her husband with whom she has the most beautiful relationship. Actually this character is so marvellous in every possible way and Streep uses every opportunity to shine.

Julie and Julia is a very entertaining and enjoyable comedy about realtionships, food, love and joy. I've seen it several times, but enjoyed as much as I did for the first time. Stanley Tucci gives a nomination-worthy performance as Paul Child, the supportive husband. His scenes with Meryl are probably this movie's greatest moments. Amy Adams and Chris Messina are decent in their no too inetersting storyline, however, if there's Meryl Streep in a movie, then you can easily realize that it's all about her.

Meryl Streep is masterful in every possible way: she nails the technical part of this performance so well, that in my opinion it's also convincing for the sceptical people. She has the voice and the accent. In fact she's so good with these accents, that it's no wonder Geraldine Page asked the question ironically if Meryl could speak normally.

It's the technical part you admire first in a Meryl Streep performance, still in this movie for me it wasn't about her faces, but mainly about her joyeous spirit. She captured Julia's soul so thrillingly, actually the real life person and Meryl become one and you can't decide what's real. Only with her first scenes she simply made my heart melt like butter, she's so... cute. Actually I don't have many other words for her first scene than cute. If I said Sandra Bullock had charm, than Meryl has gigaübercharm. And her laugh is so indescribably sweet and funny.

Meryl also nails the very few dramatic scenes and handles them with great ease. That crying scene was extremely dangerous, she easily could have ruined that scene, but she knew exactly well when to hold herself back. Some say that scene is bad and useless and in a way I agree (it did not really happen in real life, that was fiction), however I think Meryl solved this little problem quite well.

And of course, the humor department. It's so delicious, subtle and lovely, which is I guess mostly due to Meryl and Tucci. I especially loved her scenes with Jane Lynch, which were simply hilarious (especially the one in front of the mirror). But I must also mention Meryl's brilliant line readings, the way she say "surprised" is so funny. I actually did not mind that Meryl's performance emphasised the comedy and humor of this beautiful character.

And another question came to my mind? Who else could've played this role other than Meryl Streep? Julia Child is a character Meryl was born to do. I read somewhere that Sigourney Weaver would have been better, I doubt it, just because Sigourney is also tall, she's completely different from Julia.

Nevertheless, had the movie been only about Julia (and hadn't it been for that dreadful It's Complicated which ruined her chances) Meryl would have easily won her third. She did not, but again she gifted us with a performance which is (again) definitely not for everyone. But I felt lucky that I saw her and could experience her brilliance. Thank you!



Carey Mulligan's next and after her comes the Conclusion and my ultimate, final pick for 2009 Best Actress. I'm excited and enjoy this thing very much.

Gabourey Sidibe in Precious: Based on the Novel Push by Sapphire

Fresh face Gabourey Sidibe was nominated for Best Actress for her role as the illiterate, but smart abused girl in Precious, and was the dark horse for the Best Actress prize, which she lost to Sandra Bullock. However her Best Picture nominated movie won two awards for Best Supporting Actress (Mo'Nique) and Best Adapted Screenplay. Although she lost, she now has terrific opportunities to show her talent again and to prove that she was not one-role-wonder.

Precious is a quite overdirected movie with some terrific moments and some really shining actors. The screenplay doesn't scream Oscar to me actually as I find it a bit unbalanced and clichéd. However, it's the terrific acting performances of Gabby Sidibe and Mo'Nique that makes it being worth watching. In my opinion (and I'm not alone on this one), Mo'Nique gives one of the greatest supporting performances ever, winning a much deserved Oscar which nobody would have believed, say, three years ago. But Gabby Sidibe was even more surprising as we did not know anything about this girl, who might become a true star or disappear in a couple of years.

You can see perfectly well that this is the first role Gabby has ever played. She has much to learn about the technical part, however she's masterful with the emotional part. From the moment we see Precious, we feel sympathy for her (instantly) and it's simply heartbreaking to see her fight and difficulities. As Precious she's so realistic that it's no wonder people think that she's actually just like Precious. There's nothing wrong with the credibility, we can always feel and see the pain of this character, but Sidibe also fills her with hope.

Narration is not the best thing you can do in a movie, still Sidibe handles them with such naturality and ease that you are simply amazed and (or at least me) speechless. And her case is not very easy as she has to be impressive with the tour-de-force performance of Mo'Nique, who's truly brilliant. But instead of outacting each other and stealing the spotlight, they co-opearte so well, that in their scenes they both stand out.

Gabourey Sidibe is also brilliant in the very few funny scenes and she knows perfrectly well how and when to use her humor, when to hold herself back and when to show what. However, this brilliance could seem a bit sterile (like I felt when I first saw her), but once you warm up to her, she instantly gets your guts and does not let you.

And her big scene where she reveals a terrible secret of ehrs to the class is simply just mindblowing and it's very hard even for the most stone-hearted person not to cry or at least sob. We get so many emotions right in our faces, it's simply exploding and you just can't to anything and you don't understand your own feeling. This emotional avalanche is probably the highlight of the performance and is probably one of the most heartbreaking scenes I've ever seen.

It's no wonder she's often compared to Whoopi Goldberg's legendary performance as Celie in The Color Purple. The characters are very similar and they both have this naturality and realism which is rarely seen on the silver screen. I hope though that Sidibe will not end up being a talk show host, and I think she definitely has the potential to win an Oscar (if she gets another right part). No matter what, I'm rooting for her career.

OK, to sum up, this is a devastating, moving and heartbreaking piece of art, which could become the part of the history of movies. It truly speaks for itself and one just cannot get across Sidibe's brilliance. The rating is easy and definitely not surprising.


Meryl's next.

Sandra Bullock in The Blind Side

Sandra Bullock received her first nomination and won the Little Golden Guy for playing Leigh Anne Touhy, a conservative, rich and controlling Southern woman adopting a homless black boy, who turns out to be a real sport talent. And naturally Leigh Anne offers everything she can until the very-very surprising and shocking ending (kidding).

The Blind Side is a rather dumb movie and when I realised that it was nominated for Best Picture I was incredibly shocked and furious. I could understand Sandra's nomination but the movie itself was way behind it's competition. I guess Bullock's popularity led the movie to the nomination. The screenplay is so sentimental and unrealistic, that it makes it truly hard to believe that this is actually a true story. I don't want to be cynical, but this is a true American (male) cinderella story, the rich men's Precious. The acting is also so-so at best, except for the always reliable Sandra Bullock (and maybe Kathy Bates in her brief role).

Now, if you think that I'm gonna say as many bad things about Sandra Bullock as I can, then you can easily be wrong. I would not say that she's talented, but has a natural charm and in my opinion was born to become a rom-com queen. For example, she almost does miracles with these movies, see The Proposal, While You Were Sleeping or Miss Congeniality. These are entertaining, relaxing flicks, which are perfect on a Sunday evening on TV or on a hot summer day in a cold movie theatre. However, this defintitely DOESN'T equal an Oscar. At least not with me.

Yet, most of the problems of this performance are due to the previously mentioned terrible screenplay. Nobody could be able to give life to those cheesy and corny lines, nobody could have been brilliant with such bad actors (except for Kathy Bates of course) and the lame directing. So we can say actually that Sandra saves this movie for being a disaster, but she doesn't give enough to make this movie great. I have the same feeling when I watch her that I felt while watching Loretta Young in The Farmer's Daughter. Some great moments, but the whole thing is more of mediocore.

The directing does not help her either. In her first scene, we see her yelling with her exaggerated Southern accent (it gets a bit softer as the movie goes on) and you immediately resist this performance. It begins as annoying and if you don't watch it at least twice (I know it's a torture), you will hardly find anything to like in her. But since I'm crazy and a real Oscar nerd, I have seen this movie three times and at a third viewing, I found some very good things about this performance.

First of all, there's Bullock's natural charm, which always works (at least with me), and after a while she injects some humor and irony into this humorless character. Bullock knows perfectly well what to do, when and how. We can say, that she's a craftsperson. She doesn't give a true depth to her character, but she makes them at least human and entertaining. And I was entertained by her quite often.

There are some scenes though which she can't deal with, for example the one when she's looking for Michael, she was not credible enough for me. I could not feel her desperation or something else (but again this is also the screenplay's fault). Although these mistakes are not very severe, the ruin the overall picture a bit. Nevertheless, Bullock's comedy skills help her a great deal.

But then a question comes up: does being charming and entertaining equal an Oscar win? And the answer is a very quick no. However, had she only been nominated, I would have been OK with it, I just can't understand this Oscar, even though it's much better than the other so-called "star-crowning" wins. I had some problems how I should rate her, because sometimes she's a very strong four, but sometimes she's only a weak two. I guess I'll be generous and use mathematics to rate Ms. Bullock.


So I'm waiting for the comments where you can share your thoughts and pick who should be the next reviewed lady.

Helen Mirren in The Last Station

Academy Award winner Helen Mirren received her fourth nomination for playing Countess Sofya Tolstoy, the stubborn and desperate wife of Lev Tolstoy, the author of the world-famous novels Anna Karenina and naturally War and Peace.

The Last Station is a rather interesting movie about the elder days of Sofya and Lev and of course their conflicts. Tolstoy wants to give the copyrights of his books to the Russian people, while Sofya wants her children to have them and she also want to get rid of Chertkhov (warning it's NOT Chekhov who died in 1904). I truly enjoyed this very underrated movie (I don't know why), which is not a masterpiece but it's of good quality and way better than The Blind Side or the overrated District 9. The actors give solid performances and Christopher Plummer deserved the nomination, even though he does not have the most baity role.

However, Helen Mirren (one of my absolute favorite actresses) has a very Oscary role, full of showy scenes. Still, he had as much chance of winning as she had of losing for The Queen. Most people see this nomination as some kind of a filler, which is mostly due to the fact in my opinion that her movie is largely unseen. I can only agree with the opinion that not many Academy members saw this movie. Needless to say, she can only be better than Sandra Bullock in The Blind Side.

Mirren gives two kinds of performances: subtle ones (like The Queen or Gosford Park) or a bit over-the-top ones (like the miniseries Elizabeth I) and in The Last Station we can see an example of the latter. We first see Sofya getting up in the morning, going to her husband's room and lies next to him. We can instantly see this woman's pride and noblety, but Mirren also shows her desperation. Sofya cannot put up with rejection or contradiction, in a way she a bit like Sandra Bullock's character in The Blind Side. A woman who can control, however the fact that she's an aristocrat is the most important for her after her love for her husband.

We can instantly understand through Mirren's great acting, that the only truly important things for her are her husband and children and she never lets them down. She finds someone whom she can trust (the young man played by James McAvoy).

But again, this is a mostly loud performance with great outbreaks, which do not really annoy me, actually I even like them. Her breakdown during the dinner is excellent: Mirren knows when to do what and how. The screentime does not help her, however she uses every opportunity to show her brilliance. She's like Mary Tyler Moore in Ordinary People: when she's there she completely commands the screen, so you don't actually feel her small screentime.

I admit though that this performance can amaze only a small bunch of people (this does not mean that those who don't love it are totally stupid) as it's really the kind of acting that doesn't amaze everyone, probably the huge fans of Mirren and the lovers of Russian culture. I'm both, so it was easy for me, but I can completely understand those who don't like it.

So to sum up, this is a terrific performance which is unfortunately not for everyone (and this might be its biggest flaw), but still amazed me. I know I am alone with this opinon, but I loved this performance so badly because I did not expect it at all. The most pleasant surprise.

Another experiment

As I'm moving along with the Best Supporting Actor reviews, I'm trying something else to see who it is to do this thing that everyone else those, but I haven't started it.

So now, it's my pleasure to announce that I'm going to do my very first Best Actress Profiles and let's get stylish my first year is going to be this year.

So Best Actress profile #1 and the year is 2009.


The nominees were:
• Sandra Bullock in The Blind Side
• Helen Mirren in The Last Station
• Carey Mulligan in An Education
• Gabourey Sidibe in Precious
• Meryl Streep in Julie and Julia

My first reviewed lady will be Helen Mirren, but after her you tell me in your comments who should be next.

So who will be my pick? Who do YOU want to win?

Best Supporting Actor reviews: Arthur (1981)

I really don't know why I chose to see this movie instead of the others, probably I was willing to watch a comedy instead of a heavy drama and I'm glad I did so as I ahven't seen such an entertaining, relaxing and funny movie (and also a Best Supporting Actor winner) since The More the Merrier (so not a long time LOL).
Arthur tells the story of Arthur (Dudley Moore), a not-so-young millionaire who's also a cheerful drunk having a cynical servant Hobson (Sir John Gielgud). Arthur has to marry a real plain-Jane, called Susan (Jill Eikenberry) in order to get a great fortune. However, he falls in love with an also not-so-young, but optimistic woman, Linda (Liza Minelli).
I just felt joy throughout this movie. It's so utterly entertaining and just pure delight, it's just like tasting a good cake. Back in the eighties they made such great comedies. Naturally lots of credit goes to the director, Steve Gordon who's comedy direction is simply brilliant. I feel the same for his flawless screenplay, which is also one-of-a-kind. Those line are so funny (and a bit dumb but in a good way if you know what I mean) and witty that you're constantly amazed by them. I really do love Chariots of Fire (and I think it defintely, 100% deserved that Oscar and was 2 times better than all the other nominated movies), but I would have given the screenplay win to Arthur.
Dudley gives a fun performance as Arthur. Although I don't know his work at all,
I can say that he was hilarious in this one. His overacting really fits this character and it was a good idea to make him some kind of a cliché character, the happy drunk. I'm saying that his nomination was truly deserved (also his Golden Globe), but that Oscar deservedly went to Henry Fonda.
However, I'm just SHOCKED and APPALLED that Liza Minnelli was not nominated as she gave one of her greatest screen performances (after Cabaret of course) as Linda the kind and sweet love of Arthur. She's so radiant, warm and witty, that you're constantly amazed at her grand talent. I'm not much of a fan of hers, but I've always enjoyed her works and I'm glad she was such a great and essential part of her movie.
And naturally, Sir John Gielgud, that brilliant British acting legend. All the words and expressions of praise can't be enough to salute his great performance that magnificently combines those hysterical one-liners with the dramatic part. If you want to see totally mindblowing comedy acting, he's your choice. I mean, although I was completely confident that nobody could be better than Jack Nicholson in Reds, I was wrong. Gielgud more than deserved his award in that very strong race, where everyone was worthy (including Razzie-nominee James Coco who was also great). A sure member of my Top 10.
And my review would be annoyingly incomplete if I did not mention the catchy and classic score of Burt Bacharach. I'm sad that it was NOT nominated along with the also classic and very deserving score of Chariots of Fire. But thank God Arthur won Best Song.
Gosh, I'm so happy that I saw this movie and I would watch it anytime. Once again: pure fun.
Grade:9/10
Nominations: Best Actor; Best Supporting Actor (Gielgud WON); Best Original Screenplay; Best Original Song (WON)
My wins: Supporting Actor, Screenplay, Song

Best Supporting Actor reviews: Miracle on 34th Street (1947)

Our next movie is Miracle on 34th Street, one of the biggest Christmas classics ever. Am I insane that I watch it right now? Maybe, but it was available right now. :-)
It tells the story of a single, hard-working young woman (Maureen O'Hara), who organises a Thanksgiving parade, but the guy who plays Santa is as drunk as possible. An appalled elderly man (Edmund Gwenn) helps her in this embarassing situation and he more than just helps, he becomes the new sensation of Macy's and he even becomes a friend of Doris' sceptical daughter, Susie (Natalie Wood) and also the idealistic Fred (John Payne) who also gets closer to Doris.
The Christmas episode of Modern Family came to my mind: Jay was watching this movie, sobbing and wondering why the kids didn't like it. Yes, the world has changed a great deal since 1947, and we see Miracle on 34th Street with out cynism and sarcasm. We just expect another soappy flick about the spirit of Christmas.
However, it's not as sentimental as I thought. Although the humor is not the strongest part of the movie, there are some good lines and situations and it has some deeply-hidden wit, even though the characters are totally one-dimensional and their actions were sometimes illogical and unrealistic. However, this is not a Bergman movie, so this does not hurt that much, even though I find the screenplay wins quite undeserved.
The acting ensemble is solid at best as they were not provided with baity roles. Maureen O'Hara is very good though as Doris and does not really overdo her role, she's just right there, we can see her act decently and then she leaves, we leave without any dissapointment or such things. Same for John Payne, who was however in some scenes annoying with his optimism.
Still, there's a performance for which it's 100% worth watching this movie: yes, it's Natalie Wood. She shows her immense talent, shines with her radiant personality and it's no wonder she become a huge star. And add the fact that she was only nine years old at the time. The studio heads might have tortured the child stars and ruined their lives forever, but the achievements of these children were undeniable. A Juvenile Oscar would have been richly deserved.
Unlike the Best Supporting Actor Oscar of Edmund Gwenn, who simply doesn't do anything Oscar-worthy. We can see that Gwenn decided that this guy was really Santa, still he plays him like an old fool or just like an ordinary guy acting like Santa. This win is by no means awful (hi Cuba Gooding Jr. and George Chakiris), it's very-very undeserved.
Although I don't seem to like this movie, that's not true. I enjoyed it, and would gladly re-watch it at Christmas when my mind is changed and I'm not influenced by my cynism.
Grade: 7/10 I enjoyed it. I don't know what else to say.
Nominations: Best Picture; Best Actor in a Supporting Role (Gwenn WON); Best Writing, Screenplay (WON); Best Writing, Original Story (WON)

My ranking of the Best Supporting Actor winners right now

I decided to share this one with you. I have plenty more to go (21 winners and I must re-watch Jim Broadbent's performance because I don't know where to put him) and I'm a bit embarassed, but here's how it looks like right now. It's a bit unusual I know, but this category offers way more surprising performances than one would imagine.
01. Timothy Hutton in Ordinary People
02. Melvyn Douglas in Hud
03. Christopher Walken in The Deer Hunter
04. Martin Landau in Ed Wood
05. Joe Pesci in Goodfellas
06. Chris Cooper in Adaptation
07. Ben Johnson in The Last Picture Show
08. Thomas Mitchell in Stagecoach
09. Barry Fitzgerald in Going My Way
10. George Sanders in All about Eve
11. Karl Malden in A Streetcar Named Desire
12. Michael Caine in Hannah and her Sisters
13. James Dunn in A Tree Grows in Brooklyn
14. Haing S. Ngor in The Killing Fields
15. Kevin Spacey in The Usual Suspects
16. Gig Young in They Shoot Horses Don’t They?
17. Jack Nicholson in Terms of Endearment
18. Joel Grey in Cabaret
19. Kevin Kline in A Fish Called Wanda
20. Walter Matthau in The Fortune Cookie
21. Charles Coburn in The More the Merrier
22. John Mills in Ryan’s Daughter
23. Donald Crisp in How Green Was My Valley
24. Ed Begley in Sweet Bird of Youth
25. Alan Arkin in Little Miss Sunshine
26. Jason Robards in Julia
27. George Burns in The Sunshine Boys
28. Jack Lemmon in Mister Roberts
29. Melvyn Douglas in Being There
30. Walter Huston in The Treasure of Sierra Madre
31. George Kennedy in Cool Hand Luke
32. Tim Robbins in Mystic River
33. Joseph Shildkraut in The Life of Emile Zola
34. Hugh Griffith in Ben-Hur
35. Robert De Niro in The Godfather Part II
36. Peter Ustinov in Spartacus
37. Benicio Del Toro in Traffic
38. Christoph Waltz in Inglourious Basterds
39. Morgan Freeman in Million Dollar Baby
40. Gene Hackman in Unforgiven
41. Javier Bardem in No Country for Old Men
42. Jason Robards in All the President’s Men
43. Denzel Washington in Glory
44. Louis Gossett Jr. in An Officer and a Gentleman
45. Michael Caine in The Cider House Rules
46. Robin Williams in Good Will Hunting
47. Heath Ledger in The Dark Knight
48. Frank Sinatra in From Here to Eternity
49. Tommy Lee Jones in The Fugitive
50. Sean Connery in The Untouchables
51. George Chakiris in West Side Story
52. Cuba Gooding Jr. in Jerry Maguire

I'm waiting for the death threats. :-)